KinoFabula : Essais sur la littérature et le cinéma russes

Géry, Catherine

doi:10.4000/books.pressesinalco.111

dc.contributor.author	Géry, Catherine
dc.date.accessioned	2023-09-11T07:38:22Z
dc.date.available	2023-09-11T07:38:22Z
dc.date.issued	2016
dc.identifier	ONIX_20230911_9782858312634_137
dc.identifier.issn	2495-568X
dc.identifier.uri	https://directory.doabooks.org/handle/20.500.12854/113642
dc.language	French
dc.relation.ispartofseries	EuropeS
dc.subject.classification	thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art	en_US
dc.subject.other	Russian cinema
dc.subject.other	Russian literature
dc.subject.other	European cinema
dc.subject.other	film adaptation
dc.subject.other	literary classics
dc.subject.other	intermediality
dc.subject.other	cultural transfers
dc.subject.other	history
dc.subject.other	fiction
dc.title	KinoFabula
dc.title.alternative	Essais sur la littérature et le cinéma russes
dc.type	book
oapen.abstract.otherlanguage	The essays in this anthology examine the images of cinema in light of their original and ever-changing relationship with literature in all its forms (fables, oral tales, poetry, theatre and novels). They analyze the different types of relationships and circulation that enable dialogue between works: inter-genre relationships (the cinematic fable, skaz or poem, etc.); intermedial relationships between the words of literature and the images of cinema, which are an a posteriori commentary on the former but also retroactively encourage a semantic return to the texts and tell us about their interpretative regime; and temporal relationships that embed history (the historical past) in stories (the present of the fictional enunciation). The works that thereby enter into dialogue are considered as (textual or visual) spaces of transition, as eternally imperfect and unfinished objects that nevertheless each aspire to completion, in the same way that, according to Walter Benjamin, a translation completes the “original” text and reveals its mode of intention. By adding themselves to one another, commenting on one another, translating one another or rewriting one another, literary and visual works feed into the very movement of culture, which is constantly “hybridizing” and reinterpreting its own content.
oapen.identifier.doi	10.4000/books.pressesinalco.111
oapen.relation.isPublishedBy	a988fd18-fa61-4b95-b658-b8b53fe4cc1c
oapen.relation.isbn	9782858312634
oapen.relation.isbn	9782858312641
oapen.pages	256
oapen.place.publication	Paris

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