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dc.contributor.authorDamerdji, Amina
dc.date.accessioned2023-09-11T07:33:48Z
dc.date.available2023-09-11T07:33:48Z
dc.date.issued2022
dc.identifierONIX_20230911_9788490963753_39
dc.identifier.issn2695-4141
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/113544
dc.languageFrench
dc.relation.ispartofseriesBibliothèque de la Casa de Velázquez
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: generalen_US
dc.subject.otherCaimán Barbudo
dc.subject.othercensorship
dc.subject.otherCuba
dc.subject.otherdissidence
dc.subject.othergame
dc.subject.otherpoetry
dc.subject.otherrevolution
dc.titlePoésie et dissidence à Cuba
dc.title.alternativeEngagement et désengagement des écrivains, de La Havane à Madrid (1966-2002)
dc.typebook
oapen.abstract.otherlanguageIn 1966, seven years after the advent of the Cuban revolution, a new poetic group was born around the magazine El caimán barbudo, affiliated to the Communist Party of Cuba. Their writing is turbulent, original, combining adherence to the regime and playful distance. The evolution of freedom of expression in Cuba and the national and international repercussions of their works, will push some of them on the path of exile and dissidence, others to find a singular way on the island. In 1996, a final attempt to reunite the group through the pages of the Madrid-based journal Encuentro de la cultura cubana redraws their ties. Combining literary studies and social sciences, this book traces the untold history of this group during the second half of the twentieth century and analyzes the way in which literature reinvents itself according to the political upheavals.
oapen.identifier.doi10.4000/books.cvz.32967
oapen.relation.isPublishedBy44e48464-88cf-488a-8356-12d480ff40f8
oapen.relation.isbn9788490963753
oapen.relation.isbn9788490963746
oapen.pagesXII-376
oapen.place.publicationMadrid


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