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L’obscène, mode d’emploi

Considérations intempestives à l’usage du monde contemporain

dc.contributor.editorFrei, Peter
dc.contributor.editorLabere, Nelly
dc.date.accessioned2023-08-14T10:12:01Z
dc.date.available2023-08-14T10:12:01Z
dc.date.issued2022
dc.identifierONIX_20230814_9782858926404_9
dc.identifier.issn741-1818
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/112638
dc.languageFrench
dc.languageEnglish
dc.relation.ispartofseriesPrimaLun@
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studiesen_US
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociologyen_US
dc.subject.classificationthema EDItEUR::A The Artsen_US
dc.subject.otherScandal
dc.subject.otherEmotion/Sensibility
dc.subject.otherStage
dc.subject.otherSpectacle, Performance / Actor / Spectator
dc.subject.otherReader
dc.subject.otherAesthetic / Art
dc.subject.otherPasolini
dc.subject.otherTrial
dc.subject.otherFilm
dc.subject.otherReligion / Church
dc.subject.otherBody
dc.subject.otherEthics
dc.subject.otherCensorship / Prohibition
dc.subject.otherPornography
dc.subject.otherEroticism
dc.subject.otherHays Code
dc.subject.otherWar
dc.subject.otherViolence
dc.subject.otherFake News
dc.subject.otherDrone
dc.subject.otherNudity
dc.subject.otherRepresentation
dc.subject.otherGiallo
dc.subject.otherWoman
dc.subject.otherFeminity
dc.subject.otherGirl
dc.subject.otherSexuality
dc.subject.otherProhibition
dc.subject.otherOrder, Category
dc.subject.otherSociety
dc.subject.otherGaze
dc.subject.otherRape
dc.subject.otherMurder
dc.subject.otherTransgression
dc.subject.otherSubversion
dc.subject.otherProfanation
dc.subject.otherLiberty
dc.titleL’obscène, mode d’emploi
dc.title.alternativeConsidérations intempestives à l’usage du monde contemporain
dc.typebook
oapen.abstract.otherlanguageMove on ! There is nothing to see … …except, according to Facebook, when it comes to Courbet’s Origin of the World. While the legendary painting attracts more than 3 million visitors a year at the Musée d’Orsay in Paris, it is still subject to censorship, even legal action, in the brave new world of social media. Far from being anecdotal, the case once again puts the obscene center-stage at a time in which new technologies redefine the public sphere and with it the codes and practices of representation. L’obscène, mode d’emploi (“The Obscene, a Manual”) invited scholars and writers to revist the famously troublesome notion of the obscene in its aesthetic, legal and political stakes. The resulting Considérations intempestives à l’usage du monde contemporain (“Untimely Considerations for our Contemporary World”) show that the obscene is best understood not as a concept but as a gesture experimenting with both the impact and the medium itself of representation, thereby asking: What does the obscene have to say about the (im-)possibilities of the Digitial Revolution of our time in which the new codes and practices of representation are still being renegociated?
oapen.identifier.doi10.46608/primaluna16.9782858926404
oapen.relation.isPublishedByca43151a-5af0-45f7-911f-f04a6f93c36e
oapen.relation.isbn9782858926404
oapen.relation.isbn9782858926411
oapen.imprintPôle Production Imprimé, Université Bordeaux Montaigne
oapen.series.number16
oapen.pages146
oapen.place.publicationPessac


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