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dc.contributor.editorDurán-Almarza, Emilia María
dc.contributor.editorRodríguez González, Carla
dc.contributor.editorClisby, Suzanne
dc.date.accessioned2023-07-26T19:42:46Z
dc.date.available2023-07-26T19:42:46Z
dc.date.issued2022
dc.date.submitted2023-07-20T09:20:04Z
dc.identifierOCN: 1305915372
dc.identifierhttps://library.oapen.org/handle/20.500.12657/64026
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/107886
dc.description.abstractThis book examines the enactment of gendered in/equalities across diverse Cultural forms, turning to the insights produced through the specific modes of onto-epistemological enquiry of embodied performance. It builds on work from the GRACE (Gender and Cultures of Equality in Europe) project and offers both theoretical and methodological analyses of an array of activities and artworks. The performative manifestations discussed include theatre, installations, social movements, mega-events, documentaries, and literary texts from multiple geopolitical locales. Engaging with the key concepts of re-enactment and relationality, the contributions explore the ways in which in/equalities are relationally re-produced in and through individual and collective bodies. This multi- and trans-disciplinary collection of essays creates fruitful dialogues within and beyond Performance Studies, sitting at the crossroads of ethnography, event studies, social movements, visual studies, critical discourse analysis, and contemporary approaches to textualities emerging from post-colonial and feminist studies.
dc.languageEnglish
dc.rightsopen access
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropologyen_US
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropologyen_US
dc.subject.otherAnthropology, social anthropology, culture, inequality
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology
dc.titlePerforming Cultures of Equality
dc.typebook
oapen.identifier.doi10.4324/9781003162759
oapen.relation.isPublishedByfa69b019-f4ee-4979-8d42-c6b6c476b5f0
oapen.relation.hasChapterChapter 7 Gender-Based Violence and the Performance of Masculinity
oapen.relation.isbn9781003162759
oapen.relation.isbn9780367755010
oapen.relation.isbn9780367755096
oapen.imprintRoutledge
peerreview.review.typeProposal
peerreview.anonymitySingle-anonymised
peerreview.reviewer.typeInternal editor
peerreview.reviewer.typeExternal peer reviewer
peerreview.review.stagePre-publication
peerreview.open.reviewNo
peerreview.publish.responsibilityPublisher
peerreview.idbc80075c-96cc-4740-a9f3-a234bc2598f1
peerreview.titleProposal review


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Chapters in this book

  • Calderón Sandoval, Orianna; Sánchez Espinosa, Adelina (2022)
    The aim of this chapter is to analyse how two documentary films, Elisabetta Lodoli's Ma l'amore c'entra? and Isabel de Ocampo's Serás Hombre, critically explore the interrelation between the performance of hegemonic ...