Performing the Cold War in the Postcolonial World
Theatre, Film, Literature and Things
dc.contributor.editor | Balme, Christopher B. | |
dc.date.accessioned | 2023-07-19T08:33:26Z | |
dc.date.available | 2023-07-19T08:33:26Z | |
dc.date.issued | 2024 | |
dc.date.submitted | 2023-07-17T08:26:32Z | |
dc.identifier | https://library.oapen.org/handle/20.500.12657/63971 | |
dc.identifier.uri | https://directory.doabooks.org/handle/20.500.12854/101635 | |
dc.description.abstract | Cultural Cold War, decolonization, postcolonial studies, cultural diplomacy, national theatre | |
dc.language | English | |
dc.relation.ispartofseries | Routledge Studies in Cultures of the Global Cold War | |
dc.rights | open access | |
dc.subject.other | Cultural Cold War, decolonization, postcolonial studies, cultural diplomacy, national theatre | |
dc.subject.other | thema EDItEUR::N History and Archaeology::NH History | |
dc.title | Performing the Cold War in the Postcolonial World | |
dc.title.alternative | Theatre, Film, Literature and Things | |
dc.type | book | |
oapen.relation.isPublishedBy | fa69b019-f4ee-4979-8d42-c6b6c476b5f0 | |
oapen.relation.hasChapter | Chapter 1 Introduction | |
oapen.relation.hasChapter | Chapter 4 Theatre for Influence | |
oapen.relation.hasChapter | Chapter 8 Brecht as a Model for Cultural Development | |
oapen.relation.hasChapter | Chapter 11 National Theatres in Africa Between Modular Modernity and Cultural Heritage | |
oapen.relation.isbn | 9781032051581 | |
oapen.relation.isbn | 9781032051611 | |
oapen.relation.isbn | 9781003196334 | |
oapen.imprint | Routledge |
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Chapters in this book
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(2023)This chapter sets the ground for the argument and aim of this edited volume on marketplaces. The book investigates marketplaces as important urban spaces not as pre-given, fixed locations with clear demarcations in space ...
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(2024)Emerging from the superpowers’ covert attempts to counter their political and ideological influence without direct military confrontations, the Cold War was also enacted in the cultural sphere of many third world countries, ...
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(2024)Despite the non-governmental status of the UNESCO-affiliated International Theatre Institute (ITI), its organisational structures enabled its member states to use it as an instrument of cultural representation for national ...