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dc.contributor.authorWilson, Emma
dc.date.accessioned2023-04-18T10:12:32Z
dc.date.available2023-04-18T10:12:32Z
dc.date.issued2021
dc.date.submitted2023-04-12T05:33:55Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/62339
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/99224
dc.description.abstractCéline Sciamma is the most visible and important feminist, and lesbian, director in contemporary international filmmaking. Her fourth feature, Portrait of a Lady on Fire, competed for the Palme d’Or at Cannes in 2019, and intervened directly in debates about the female gaze, sexuality, and specifically how to look at and make a portrait of young women. In her approach to female, non-binary and queer identities, she has focused on the need for agency, binding this imperative into her aesthetic choices and modes of filmmaking. This is the first book-length study of Sciamma’s films, focusing on the relationship of her work to the visual arts, and exploring the relevance of feminist theory to her unique perspective.
dc.languageEnglish
dc.rightsopen access
dc.subject.otherPerforming Arts
dc.subject.otherFilm
dc.subject.otherDirection & Production
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFX Filmmaking and production: technical and background skills
dc.titleCéline Sciamma
dc.title.alternativePortraits
dc.typebook
oapen.relation.isPublishedBy208d7ab7-a2e4-4c7f-83b1-53dfb4ba4a35
oapen.relation.isFundedByKnowledge Unlatched
oapen.relation.isbn9781474440554
oapen.relation.isbn9781474425483
oapen.relation.isbn9781474425506
oapen.collectionKnowledge Unlatched (KU)
oapen.imprintEdinburgh University Press
dc.relationisFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9


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