Architecture et société néolithique
L’unité et la variance de la maison danubienne
| dc.contributor.author | Coudart, Anick | |
| dc.date.accessioned | 2023-03-10T16:19:46Z | |
| dc.date.available | 2023-03-10T16:19:46Z | |
| dc.date.issued | 1998 | |
| dc.identifier | ONIX_20230310_9782735129447_22 | |
| dc.identifier.uri | https://directory.doabooks.org/handle/20.500.12854/98279 | |
| dc.language | French | |
| dc.relation.ispartofseries | Documents d’archéologie française | |
| dc.subject.classification | thema EDItEUR::A The Arts::AM Architecture | en_US |
| dc.subject.other | Bandkeramik Europe | |
| dc.subject.other | cultural identity | |
| dc.subject.other | social equality | |
| dc.title | Architecture et société néolithique | |
| dc.title.alternative | L’unité et la variance de la maison danubienne | |
| dc.type | book | |
| oapen.abstract.otherlanguage | Domestic architecture is a means of examining the social structure of Neolithic groups in Europe from 5500 BC to 4500 BC Indeed. a house is built as much to order the social milieu as to dominate the physical environment. The Danubian house was first laid out according to strict cultural norms. This « uniformity » reflects a relatively « egalitarian » society, and a common conceptual System. However, numerous variations occurred. Apparently influenced by the type of relations between a site and its neighbours, this variability enabled individuals to react and ad on the System, but also contributed to the break-up of the Bandkeramik culture, and its replacement by new regional entities. | |
| oapen.identifier.doi | 10.4000/books.editionsmsh.43980 | |
| oapen.relation.isPublishedBy | 2990638d-1959-49aa-a90a-3c208956c890 | |
| oapen.relation.isbn | 9782735129447 | |
| oapen.relation.isbn | 9782735106370 | |
| oapen.pages | 242 | |
| oapen.place.publication | Paris |
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