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dc.contributor.authorSiukonen, Jyrki
dc.date.accessioned2023-03-03T04:20:11Z
dc.date.available2023-03-03T04:20:11Z
dc.date.issued2023
dc.date.submitted2023-02-20T10:40:34Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/61382
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/97654
dc.description.abstractIf the artworld is a battlefield of meanings, the fortunes of discourse did not favour avant-garde art in Finland in the 1910s. The latest trends, introduced by German and Russian artists in three pioneering exhibitions in Helsinki in 1914 and 1916, were dismissed by the Finnish press as foolish and unworthy. This book researches the contemporary reactions and contents of these exhibitions. The works shown in Helsinki included masterpieces from artists such as Chagall, Jawlensky, Kandinsky, Marc, Münter and Rozanova. Today these works can be found in the collections of leading museums in Europe, Russia and the USA. From the Finnish perspective, the turndown in the 1910s proved effective and irreversible. Never again have the local collections had similar opportunities to make a purchase. The rejection of radical international developments and emphasis on narrow nationalistic views left Finnish art lagging behind. This trend was already apparent in 1917 in St. Petersburg, where the Finnish artists were celebrated but their paintings deemed sombre and superannuated.
dc.languageFinnish
dc.relation.ispartofseriesTietolipas
dc.rightsopen access
dc.subject.other1910s; reception; art exhibitions; modern art; Finland
dc.subject.otherthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
dc.titleHumpuukia ja hulluutta
dc.title.alternativeUuden taiteen vastaanotto 1910-luvun Suomessa
dc.typebook
oapen.identifier.doi10.21435/tl.278
oapen.relation.isPublishedBy8ceefe60-b6e9-4502-8498-ff110bb0f062
oapen.relation.isbn9789518585995
oapen.relation.isbn9789518586008
oapen.pages189
oapen.place.publicationHelsinki
dc.seriesnumber14


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