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dc.contributor.authorJaneiro, Pedro António
dc.contributor.authorLoução, Dulce
dc.contributor.authorDe Carvalho, Gisele Melo
dc.date.accessioned2022-12-10T04:00:58Z
dc.date.available2022-12-10T04:00:58Z
dc.date.issued2022
dc.date.submitted2022-12-09T16:54:45Z
dc.identifierONIX_20221209_9788835141938_21
dc.identifierhttps://library.oapen.org/handle/20.500.12657/60056
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/94715
dc.description.abstractThe 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
dc.languageItalian
dc.languageEnglish
dc.relation.ispartofseriesdiségno
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::G Reference, information & interdisciplinary subjects::GT Interdisciplinary studies::GTE Semiotics / semiology
dc.subject.classificationbic Book Industry Communication::H Humanities::HB History
dc.subject.classificationbic Book Industry Communication::P Mathematics & science::PD Science: general issues::PDR Impact of science & technology on society
dc.subject.otherDiscipline of representation, History, Semiotics, Science, Technology
dc.titleChapter Image and classicism in housing social life spaces in Recife, Brasil
dc.typechapter
oapen.identifier.doi10.3280/oa-832-c53
oapen.relation.isPublishedBy3b1e4403-b637-4268-a952-2280e4500b8a
oapen.relation.isbn9788835141938
oapen.place.publicationMilan
dc.abstractotherlanguageThe 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.


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