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dc.contributor.editorJacobi, Claudia
dc.contributor.editorOtt, Christine
dc.contributor.editorSchönwälder, Lena
dc.date.accessioned2022-06-28T04:03:05Z
dc.date.available2022-06-28T04:03:05Z
dc.date.issued2022
dc.date.submitted2022-06-27T14:41:33Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/57118
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/84700
dc.description.abstractThe reception history of the term autofiction, coined by Serge Doubrovsky in 1977 and strongly polarising since then, shows that autofictional writing has been used by numerous authors in the past decades as a possibility to give explosive insights into their lives on the one hand, but to refer to an indeterminable ""fictional"" part of their work on the other. The underlying interferences between fictional and factual narrative strategies seem to predestine autofiction for the representation and provocation of scandal. This volume brings together contributions that illuminate the relationship between autofiction and scandal from epistemological, literary-historical and reception-aesthetic perspectives and explore ethical questions of the demarcation between public and private space.
dc.languageEnglish
dc.languageFrench
dc.relation.ispartofseriesRomanische Studien Beihefte
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::D Literature & literary studies::DN Prose: non-fiction
dc.subject.othernarratology; literary scandal; literary provocation; intertextuality; aesthetics of scandal; sociobiography; reception authorities; writer's stage design; close reading; distant reading; autobiography
dc.titleAutofiction(s) et scandale
dc.typebook
oapen.identifier.doi10.23780/9783960915973
oapen.relation.isPublishedBy691efee6-d44b-4895-aa85-2208341eb20a
oapen.relation.isbn9783954771363
oapen.pages204
oapen.place.publicationMunich
dc.seriesnumber12


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