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dc.contributor.authorSCANNAPIECO, ANNA
dc.date.accessioned2022-06-02T04:40:33Z
dc.date.available2022-06-02T04:40:33Z
dc.date.issued2020
dc.date.submitted2022-06-01T12:17:21Z
dc.identifierONIX_20220601_9788855181501_433
dc.identifier2704-5919
dc.identifierhttps://library.oapen.org/handle/20.500.12657/56250
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/83847
dc.description.abstractThe contribution proposes a reflection on the greatest author of the 18th Century Italian theater who drew on the dramaturgical heritage of the siglos de oro. The main elements dealt with are: Carlo Gozzi's theoretical reflection on the characteristics of Spanish theater; the fundamental role in the repêchage that the actors of Antonio Sacco's company had in that theater, for which the author provided - according to him - a "voluntary friendly assistance"; finally, the most significant data that emerge, or could emerge, from the first National Edition of the works of Carlo Gozzi (launched in 2011).
dc.languageItalian
dc.relation.ispartofseriesStudi e saggi
dc.rightsopen access
dc.subject.otherSpanish theatre
dc.subject.otherCarlo Gozzi
dc.subject.otherAntonio Sacco theatrical ideas
dc.titleChapter «Il Sacchi mi mandava tratto tratto de’ fasci di quelle strane, e mostruose opere di quel Teatro…»: Carlo Gozzi e il teatro spagnolo
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-150-1.26
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855181501
oapen.pages17
oapen.place.publicationFlorence
dc.seriesnumber209


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