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dc.contributor.authorVivarelli, vivetta
dc.date.accessioned2022-06-02T04:36:01Z
dc.date.available2022-06-02T04:36:01Z
dc.date.issued2021
dc.date.submitted2022-06-01T12:23:56Z
dc.identifierONIX_20220601_9788855183383_613
dc.identifier2420-8361
dc.identifierhttps://library.oapen.org/handle/20.500.12657/56428
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/83676
dc.description.abstractThe five stories in Magris’s Tempo curvo a Krems contain indirect references to the German and Mitteleuropean literatures that nourished their author. They are not merely echoes or resonances: allusions such as to the legend of Vineta, the city beneath the sea, or to Heine’s poem about the troubadour Rudèl and Melisanda, as well as to Faustian themes and the longing for transformation («die and become») are closely linked to the central theme of a circular and recurring time. The lightly ironic tone is nonetheless a bulwark against the spleen, the «Sehnsucht» or the recollection and regret of the past; a past that resurfaces and continues to echo like the tolling of a submerged bell.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.rightsopen access
dc.subject.otherFaustian Themes
dc.subject.otherLegend of Vineta
dc.subject.otherMitteleuropean Literature
dc.subject.otherSources
dc.subject.otherTempo curvo a Krems
dc.titleChapter Vineta del Danubio. La letteratura tedesca in Tempo curvo a Krems
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-338-3.13
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855183383
oapen.pages10
oapen.place.publicationFlorence
dc.seriesnumber59


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