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dc.contributor.authorRomolini, Marica
dc.date.accessioned2022-06-02T04:34:51Z
dc.date.available2022-06-02T04:34:51Z
dc.date.issued2012
dc.date.submitted2022-05-31T10:20:15Z
dc.identifierONIX_20220531_9788866551362_339
dc.identifier2705-0297
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55055
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/83618
dc.description.abstractDespite the indisputable richness of the Montalian bibliography, there still was no comment on a fundamental collection such as La bufera e altro, published, after a complex and protracted gestation, by Neri Pozza in 1956. The aim of this book is to fill that void, giving a first contribution to the exegesis of one of Montale's densest - and most difficult - works, where the poet draws the conclusions of a long research to restart his own inexhaustible search for new languages and imagery. Between preliminary introductions (proper essays) and notes, she tries to take stock of the matter by comparing the various existing critical hypotheses and proposing - in a close hand-to-hand with the text, verse by verse, problematising rather than glossing over - an original interpretative line.
dc.languageItalian
dc.relation.ispartofseriesPremio Ricerca «Città di Firenze»
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::D Literature & literary studies
dc.subject.classificationbic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism
dc.titleCommento a «La bufera e altro» di Montale
dc.typebook
oapen.identifier.doi10.36253/978-88-6655-136-2
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788866551362
oapen.relation.isbn9788892735880
oapen.pages456
oapen.place.publicationFirenze
dc.seriesnumber1
dc.abstractotherlanguageDespite the indisputable richness of the Montalian bibliography, there still was no comment on a fundamental collection such as La bufera e altro, published, after a complex and protracted gestation, by Neri Pozza in 1956. The aim of this book is to fill that void, giving a first contribution to the exegesis of one of Montale's densest - and most difficult - works, where the poet draws the conclusions of a long research to restart his own inexhaustible search for new languages and imagery. Between preliminary introductions (proper essays) and notes, she tries to take stock of the matter by comparing the various existing critical hypotheses and proposing - in a close hand-to-hand with the text, verse by verse, problematising rather than glossing over - an original interpretative line.


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