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dc.contributor.authorNutini, Carolina
dc.date.accessioned2022-06-02T04:34:45Z
dc.date.available2022-06-02T04:34:45Z
dc.date.issued2012
dc.date.submitted2022-05-31T10:19:31Z
dc.identifierONIX_20220531_9788866552727_306
dc.identifier2705-0297
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55022
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/83612
dc.description.abstractThe book sets out to reconstruct why and how poetry and prose came to meet and mix in Italy between the second half of the nineteenth century and the beginning of the twentieth century; contrary to what has taken place in France for the petit poème en prose, there has been no overall mapping of the Italian sphere to give refreshed sense to single phenomena. The author begins to fill this gap by looking at three areas of research: the Scapigliatura movement, the experimentations of the last two decades of the nineteenth century (from Ragusa Moleti to Pica, Deledda to Capuana), and «La Voce» 1908-1913. Two works are constantly used as inevitable points of reference: Operette morali by Leopardi and Petits poèmes en prose by Baudelaire.
dc.languageItalian
dc.relation.ispartofseriesPremio Ricerca «Città di Firenze»
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::D Literature & literary studies
dc.subject.classificationbic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism
dc.titleTra sperimentalismo scapigliato ed espressivismo primonovecentesco poemetto in prosa, prosa lirica e frammento
dc.typebook
oapen.identifier.doi10.36253/978-88-6655-272-7
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788866552727
oapen.relation.isbn9788892735781
oapen.pages562
oapen.place.publicationFirenze
dc.seriesnumber9
dc.abstractotherlanguageThe book sets out to reconstruct why and how poetry and prose came to meet and mix in Italy between the second half of the nineteenth century and the beginning of the twentieth century; contrary to what has taken place in France for the petit poème en prose, there has been no overall mapping of the Italian sphere to give refreshed sense to single phenomena. The author begins to fill this gap by looking at three areas of research: the Scapigliatura movement, the experimentations of the last two decades of the nineteenth century (from Ragusa Moleti to Pica, Deledda to Capuana), and «La Voce» 1908-1913. Two works are constantly used as inevitable points of reference: Operette morali by Leopardi and Petits poèmes en prose by Baudelaire.


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open access
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