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dc.contributor.authorGjata, Adela
dc.date.accessioned2022-06-02T04:30:09Z
dc.date.available2022-06-02T04:30:09Z
dc.date.issued2015
dc.date.submitted2022-05-31T10:23:33Z
dc.identifierONIX_20220531_9788866559450_494
dc.identifier2705-0297
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55210
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/83394
dc.description.abstractRenato Simoni was a playwright, theatre critic, librettist for opera seria and opera buffa, screenwriter, speaker, author of magazines, ballets, essays, costume articles, epigrams, anacreontics and rhymed jokes, but also one of the first Italian directors. In the 1930s and 1940s, he was at the head of important installations for the Venice Biennale and the Maggio Musicale Fiorentino. Using unpublished archival documents, this volume reconstructs the portrait of a multifaceted and authoritative man of the theatre, whose artistic experience has often been neglected by historiography, and yet refers to a decisive historical moment of theatre in Italy, marked by the progressive dissolution of the chief-comedian-and-showman structure in theatrical troupes and by the need for aesthetic and productive renewal.
dc.languageItalian
dc.relation.ispartofseriesPremio Ricerca «Città di Firenze»
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::A The arts::AN Theatre studies
dc.subject.classificationbic Book Industry Communication::A The arts::AS Dance & other performing arts
dc.titleIl grande eclettico
dc.title.alternativeRenato Simoni nel teatro italiano del primo Novecento
dc.typebook
oapen.identifier.doi10.36253/978-88-6655-945-0
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788866559450
oapen.relation.isbn9788866559443
oapen.relation.isbn9788892733596
oapen.pages470
oapen.place.publicationFlorence
dc.seriesnumber43
dc.abstractotherlanguageRenato Simoni was a playwright, theatre critic, librettist for opera seria and opera buffa, screenwriter, speaker, author of magazines, ballets, essays, costume articles, epigrams, anacreontics and rhymed jokes, but also one of the first Italian directors. In the 1930s and 1940s, he was at the head of important installations for the Venice Biennale and the Maggio Musicale Fiorentino. Using unpublished archival documents, this volume reconstructs the portrait of a multifaceted and authoritative man of the theatre, whose artistic experience has often been neglected by historiography, and yet refers to a decisive historical moment of theatre in Italy, marked by the progressive dissolution of the chief-comedian-and-showman structure in theatrical troupes and by the need for aesthetic and productive renewal.


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