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dc.contributor.authorPIREDDU, ALBERTO
dc.date.accessioned2022-06-02T04:29:58Z
dc.date.available2022-06-02T04:29:58Z
dc.date.issued2017
dc.date.submitted2022-05-31T10:28:47Z
dc.identifierONIX_20220531_9788864535203_691
dc.identifier2704-5919
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55407
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/83387
dc.description.abstractArchitecture has always been suspended in the indefinable (although necessary) tension between a 'truth to be revealed' and a 'truth to be built' and the foundation of the project is to be found, as Kenneth Frampton teaches, in the mutual relationship identified as between the topos, the typos and the 'tectonic', which is thus doubly linked to the specific conditions of a place and to the universal existence of architecture. This volume collects a set of works as found in their relationship with the Earth and that participate in the quest for the double truth mentioned above. From Verona to Fisterra and Cádiz, from Istanbul to Pompeii, the extraordinary nature of the site establishes the settlement principle, but more than that: the project, moving within the precise limits of the discipline, defines for them solid conceptual, as well as physical, bases.
dc.languageItalian
dc.relation.ispartofseriesStudi e saggi
dc.rightsopen access
dc.subject.classificationthema EDItEUR::A The Arts::AM Architecture::AMV Landscape architecture and designen_US
dc.subject.classificationthema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RP Regional and area planning::RPC Urban and municipal planning and policyen_US
dc.titleIn limine
dc.title.alternativeBetween Earth and Architecture
dc.typebook
oapen.identifier.doi10.36253/978-88-6453-520-3
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788864535203
oapen.relation.isbn9788864535197
oapen.relation.isbn9788892731707
oapen.pages194
oapen.place.publicationFlorence
dc.seriesnumber173
dc.abstractotherlanguageArchitecture has always been suspended in the indefinable (although necessary) tension between a 'truth to be revealed' and a 'truth to be built' and the foundation of the project is to be found, as Kenneth Frampton teaches, in the mutual relationship identified as between the topos, the typos and the 'tectonic', which is thus doubly linked to the specific conditions of a place and to the universal existence of architecture. This volume collects a set of works as found in their relationship with the Earth and that participate in the quest for the double truth mentioned above. From Verona to Fisterra and Cádiz, from Istanbul to Pompeii, the extraordinary nature of the site establishes the settlement principle, but more than that: the project, moving within the precise limits of the discipline, defines for them solid conceptual, as well as physical, bases.


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