Show simple item record

dc.contributor.editorCuringa, Luisa
dc.contributor.editorRapetti, Marco
dc.date.accessioned2022-06-02T04:24:10Z
dc.date.available2022-06-02T04:24:10Z
dc.date.issued2018
dc.date.submitted2022-05-31T10:30:17Z
dc.identifierONIX_20220531_9788864538075_732
dc.identifier2704-5773
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55448
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/83113
dc.description.abstractSkrjabin, an eccentric figure in the music scene of the beginning of the century, has often aroused both the most heated enthusiasm and the most ferocious criticisms. However, in recent decades, important researches have been carried out in Italy and abroad, leading to a more balanced view of the man and his work. The contributions which are included in this volume come largely from the conference Svetozvuk, il ‘Suono-Luce’ (Cherubini Conservatory of Florence, 2015), and intend to bring a significant element to the studies on Skrjabin by addressing different and complementary themes. The resulting multifaceted kaleidoscope highlights the key role of Skrjabin in the 20th century, not only as a precursor of multimedia, but most importantly as the creator of a highly original language which would influence entire generations of musicians from different backgrounds.
dc.languageItalian
dc.relation.ispartofseriesSaggi Cherubini
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::A The arts::AV Music::AVA Theory of music & musicology
dc.titleSkrjabin e il Suono-Luce
dc.typebook
oapen.identifier.doi10.36253/978-88-6453-807-5
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788864538075
oapen.relation.isbn9788855189705
oapen.relation.isbn9788864538068
oapen.pages214
oapen.place.publicationFlorence
dc.seriesnumber1
dc.abstractotherlanguageSkrjabin, an eccentric figure in the music scene of the beginning of the century, has often aroused both the most heated enthusiasm and the most ferocious criticisms. However, in recent decades, important researches have been carried out in Italy and abroad, leading to a more balanced view of the man and his work. The contributions which are included in this volume come largely from the conference Svetozvuk, il ‘Suono-Luce’ (Cherubini Conservatory of Florence, 2015), and intend to bring a significant element to the studies on Skrjabin by addressing different and complementary themes. The resulting multifaceted kaleidoscope highlights the key role of Skrjabin in the 20th century, not only as a precursor of multimedia, but most importantly as the creator of a highly original language which would influence entire generations of musicians from different backgrounds.


Files in this item

FilesSizeFormatView

There are no files associated with this item.

This item appears in the following Collection(s)

Show simple item record

open access
Except where otherwise noted, this item's license is described as open access