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dc.contributor.authorValentini, Antonella
dc.date.accessioned2022-06-02T04:21:10Z
dc.date.available2022-06-02T04:21:10Z
dc.date.issued2018
dc.date.submitted2022-05-31T10:31:31Z
dc.identifierONIX_20220531_9788864536842_782
dc.identifier2704-579X
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55498
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/82953
dc.description.abstractDrawing is a powerful form of communication, and it can activate the imagery. This volume discusses two themes: the representation of landscape, where the image is used for descriptive purposes, and the prefigurement of landscape, where drawing is the tool for the definition of scenes. The two actions are closely related. Outlining the structure of the landscape (for which the bird's eye view appears to be an effective representation) enables the deduction of the constitutive and evolutionary rules which necessarily lead to the identification of the rules of good behaviour for the preservation and transformation of the landscape. Drawing these action guidelines can help aim the transformations, as it allows the simple and straight communication of the ways in which it is possible to intervene in our common living environment.
dc.languageItalian
dc.relation.ispartofseriesTerritori
dc.rightsopen access
dc.subject.classificationthema EDItEUR::A The Arts::AM Architecture::AMV Landscape architecture and designen_US
dc.titleIl paesaggio figurato
dc.title.alternativeDisegnare le regole per orientare le trasformazioni
dc.typebook
oapen.identifier.doi10.36253/978-88-6453-684-2
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788864536842
oapen.relation.isbn9788864536835
oapen.relation.isbn9788892731097
oapen.pages150
oapen.place.publicationFlorence
dc.seriesnumber28
dc.abstractotherlanguageDrawing is a powerful form of communication, and it can activate the imagery. This volume discusses two themes: the representation of landscape, where the image is used for descriptive purposes, and the prefigurement of landscape, where drawing is the tool for the definition of scenes. The two actions are closely related. Outlining the structure of the landscape (for which the bird's eye view appears to be an effective representation) enables the deduction of the constitutive and evolutionary rules which necessarily lead to the identification of the rules of good behaviour for the preservation and transformation of the landscape. Drawing these action guidelines can help aim the transformations, as it allows the simple and straight communication of the ways in which it is possible to intervene in our common living environment.


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