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dc.contributor.authorLandi, Michela
dc.date.accessioned2022-06-02T04:20:10Z
dc.date.available2022-06-02T04:20:10Z
dc.date.issued2019
dc.date.submitted2022-05-31T10:32:53Z
dc.identifierONIX_20220531_9788864539546_815
dc.identifier2420-8361
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55531
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/82899
dc.description.abstractBaudelaire et Wagner. “The intellectual name of love is interest”, wrote Thomas Mann in his Considerations of an apolitical man (1915-1918). The interest, he specifies, "implies an emotional state that is nothing less than lukewarm", which "far exceeds in violence that of admiration'". It is not then in the panegyric, but in "malicious, even hateful" criticism, and in particular in the pamphlet (on condition "that it is spiritual and a product of passion") that this interest is found to be satisfied. The loving challenge that Thomas Mann issued at Wagner during the war is an answer, if possible, to Baudelaire's intention.
dc.languageFrench
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.rightsopen access
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studiesen_US
dc.titleBaudelaire et Wagner
dc.typebook
oapen.identifier.doi10.36253/978-88-6453-954-6
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788864539546
oapen.relation.isbn9788892730052
oapen.pages701
oapen.place.publicationFlorence
dc.seriesnumber48
dc.abstractotherlanguageBaudelaire et Wagner. “The intellectual name of love is interest”, wrote Thomas Mann in his Considerations of an apolitical man (1915-1918). The interest, he specifies, "implies an emotional state that is nothing less than lukewarm", which "far exceeds in violence that of admiration'". It is not then in the panegyric, but in "malicious, even hateful" criticism, and in particular in the pamphlet (on condition "that it is spiritual and a product of passion") that this interest is found to be satisfied. The loving challenge that Thomas Mann issued at Wagner during the war is an answer, if possible, to Baudelaire's intention.


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