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dc.contributor.authorBartolomei, Girolamo
dc.contributor.editorPiazzesi, Sandro
dc.date.accessioned2022-06-02T04:16:26Z
dc.date.available2022-06-02T04:16:26Z
dc.date.issued2016
dc.date.submitted2022-05-31T10:25:39Z
dc.identifierONIX_20220531_9788864534909_575
dc.identifier2704-565X
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55291
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/82735
dc.description.abstractGirolamo Bartolommei’s literary research is characterised by the narration of actions carried out by sacred and profane subjects and by the narration of ancient fabulae, re-interpreted according to the principle of moral utility. Girolamo Bartolommei dealt with different forms of lyrical, epic, dramaturgical and musical writing, recalling 'the benign readers' of his works to the ethical and social function of poetry. His work Didascalia cioè dottrina comica (“Caption, that is comic doctrine” printed in Florence in 1658 and reprinted in 1661), of which the critical edition is here introduced, is of particular interest for the peculiarity of the theoretical proposal. Such proposal is ascribable to the aesthetic of the academy theatre, aimed at demonstrating to young writers that only the 'honesty' and the decorum of a 'well-ordered comedy' could lift the fate of comic art from the degradation in which it had fallen. The author tries to convey this idea by proceeding from questions of general poetics up to the 'sketches of middle comedies' he composed himself.
dc.languageItalian
dc.relation.ispartofseriesModerna/Comparata
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::C Language::CF linguistics
dc.subject.classificationbic Book Industry Communication::D Literature & literary studies
dc.subject.classificationbic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism
dc.titleDidascalia cioè dottrina comica libri tre (1658-1661)
dc.title.alternativeSaggio introduttivo. L'opera esemplare di un 'moderato riformatore', edizione critica e note di Sandro Piazzesi
dc.typebook
oapen.identifier.doi10.36253/978-88-6453-490-9
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788864534909
oapen.relation.isbn9788855189224
oapen.relation.isbn9788864534893
oapen.pages482
oapen.place.publicationFirenze
dc.seriesnumber18
dc.abstractotherlanguageGirolamo Bartolommei’s literary research is characterised by the narration of actions carried out by sacred and profane subjects and by the narration of ancient fabulae, re-interpreted according to the principle of moral utility. Girolamo Bartolommei dealt with different forms of lyrical, epic, dramaturgical and musical writing, recalling 'the benign readers' of his works to the ethical and social function of poetry. His work Didascalia cioè dottrina comica (“Caption, that is comic doctrine” printed in Florence in 1658 and reprinted in 1661), of which the critical edition is here introduced, is of particular interest for the peculiarity of the theoretical proposal. Such proposal is ascribable to the aesthetic of the academy theatre, aimed at demonstrating to young writers that only the 'honesty' and the decorum of a 'well-ordered comedy' could lift the fate of comic art from the degradation in which it had fallen. The author tries to convey this idea by proceeding from questions of general poetics up to the 'sketches of middle comedies' he composed himself.


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