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dc.contributor.editorPassetti, Cristina
dc.contributor.editorTufano, Lucio
dc.date.accessioned2022-06-02T04:15:37Z
dc.date.available2022-06-02T04:15:37Z
dc.date.issued2018
dc.date.submitted2022-05-31T10:31:16Z
dc.identifierONIX_20220531_9788864537139_771
dc.identifier2704-5986
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55487
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/82695
dc.description.abstractIn the 18th century, the relationship between the male and the female became particularly relevant and turned into an excellent test bench within the construction process of the individual’s identity. Many are the images connected to the genre. Likewise, the self-representation processes through which the subjects read, describe and project themselves in their own existential context are complex and articulated. Twenty-three essays on different disciplines (history, literature, philosophy, figurative arts, science, music and theatre) explore the eighteenth-century dialectics between the two principles, using updated and specific methodological approaches. From the whole of the investigations, a complex picture with its ambiguities emerges. In it, he categorisations are continually renegotiated both in terms of intellectual elaborations and social practices.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di storia
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::H Humanities::HB History::HBL History: earliest times to present day
dc.titleFemminile e maschile nel Settecento
dc.typebook
oapen.identifier.doi10.36253/978-88-6453-713-9
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788864537139
oapen.relation.isbn9788864537115
oapen.relation.isbn9788892731264
oapen.pages344
oapen.place.publicationFlorence
dc.seriesnumber31
dc.abstractotherlanguageIn the 18th century, the relationship between the male and the female became particularly relevant and turned into an excellent test bench within the construction process of the individual’s identity. Many are the images connected to the genre. Likewise, the self-representation processes through which the subjects read, describe and project themselves in their own existential context are complex and articulated. Twenty-three essays on different disciplines (history, literature, philosophy, figurative arts, science, music and theatre) explore the eighteenth-century dialectics between the two principles, using updated and specific methodological approaches. From the whole of the investigations, a complex picture with its ambiguities emerges. In it, he categorisations are continually renegotiated both in terms of intellectual elaborations and social practices.


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