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dc.contributor.authorCRIVELLARI, DANIELE
dc.date.accessioned2022-06-02T04:09:23Z
dc.date.available2022-06-02T04:09:23Z
dc.date.issued2021
dc.date.submitted2022-06-01T12:25:44Z
dc.identifierONIX_20220601_9788855182249_676
dc.identifier2704-5919
dc.identifierhttps://library.oapen.org/handle/20.500.12657/56491
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/82379
dc.description.abstractIn this article I will study the hagiographic play Barlaán y Josafat, by Lope de Vega, from two different perspectives. On the one hand, I will analyze the dialogue between the two texts, as the comedia has a version transmitted by an autograph manuscript by Lope and another one transmitted through printed books and sueltas. On the other hand, I will focus my attention on the dialogues in the play, since they are useful to better understand the work of composition and preparation of the copy of the comedia by the playwright, as well as the company’s work on the text.
dc.languageSpanish
dc.relation.ispartofseriesStudi e saggi
dc.rightsopen access
dc.subject.otherLope de Vega
dc.subject.otherautograph manuscript
dc.subject.otherBarlaán y Josafat
dc.subject.othercritical edition
dc.subject.otherdialogues
dc.titleChapter Textos y diálogos en diálogo: Barlaán y Josafat, de Lope
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-224-9.03
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855182249
oapen.pages21
oapen.place.publicationFlorence
dc.seriesnumber218


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