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The Heian Court Poetry as World Literature

From the Point of View of Early Italian Poetry

dc.contributor.authorGERLINI, Edoardo
dc.date.accessioned2022-06-02T04:09:17Z
dc.date.available2022-06-02T04:09:17Z
dc.date.issued2014
dc.date.submitted2022-05-31T10:23:07Z
dc.identifierONIX_20220531_9788866556046_473
dc.identifier2704-5870
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55189
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/82373
dc.description.abstractWhat could be the common points between the Literature produced at the imperial court of 9th-10th century in Japan with the one composed in Italy under the rule of Frederick II of Hohenstaufen? Why the Kokinwakashū in Japan and the Sicilian School of Poetry in Italy have been acknowledged as canons for later literary traditions? How did the political power influence the production of court poetry and the role of poets in the court environment? Why two particular poetic forms like the sonnet in Europe and the waka in Japan succeeded to survive until modern times?
dc.languageItalian
dc.relation.ispartofseriesStrumenti per la didattica e la ricerca
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::C Language::CF linguistics
dc.subject.classificationbic Book Industry Communication::D Literature & literary studies
dc.titleThe Heian Court Poetry as World Literature
dc.title.alternativeFrom the Point of View of Early Italian Poetry
dc.typebook
oapen.identifier.doi10.36253/978-88-6655-604-6
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788866556046
oapen.relation.isbn9788855189521
oapen.relation.isbn9788866556008
oapen.pages294
oapen.place.publicationFlorence
dc.seriesnumber159
dc.abstractotherlanguageWhat could be the common points between the Literature produced at the imperial court of 9th-10th century in Japan with the one composed in Italy under the rule of Frederick II of Hohenstaufen? Why the Kokinwakashū in Japan and the Sicilian School of Poetry in Italy have been acknowledged as canons for later literary traditions? How did the political power influence the production of court poetry and the role of poets in the court environment? Why two particular poetic forms like the sonnet in Europe and the waka in Japan succeeded to survive until modern times?


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