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dc.contributor.authorLenzi, Sara
dc.date.accessioned2022-06-02T04:07:56Z
dc.date.available2022-06-02T04:07:56Z
dc.date.issued2016
dc.date.submitted2022-05-31T10:26:49Z
dc.identifierONIX_20220531_9788864533636_612
dc.identifier2705-0297
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55328
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/82298
dc.description.abstractThe so-called "monochromes" on marble are twelve paintings on marble slabs from the Roman age, mostly coming from Herculaneum, and are now preserved at the National Archaeological Museum of Naples and at the Kunsthistorisches Museum of Vienna. These paintings were included in several publications. Despite that, they continued to raise many questions and there was a lack of studies focusing entirely on them. Furthermore, it had barely been clarified that, despite the name "monochromes", these works are completely polychrome. By combining the archaeological data and the information obtained from the non-invasive archaeometrical analysis, it was possible to achieve brand new results, which allowed for a better understanding of some aspects of these works, such as their iconography, the used pigments used and the clients’ choices.
dc.languageItalian
dc.relation.ispartofseriesPremio Ricerca «Città di Firenze»
dc.rightsopen access
dc.subject.classificationthema EDItEUR::N History and Archaeology::NK Archaeologyen_US
dc.subject.classificationthema EDItEUR::N History and Archaeology::NK Archaeology::NKD Archaeology by period / regionen_US
dc.titleLa policromia dei Monochromata
dc.title.alternativeLa ricerca del colore su dipinti su lastre di marmo di età romana
dc.typebook
oapen.identifier.doi10.36253/978-88-6453-363-6
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788864533636
oapen.relation.isbn9788864533629
oapen.relation.isbn9788892732636
oapen.pages368
oapen.place.publicationFlorence
dc.seriesnumber51
dc.abstractotherlanguageThe so-called "monochromes" on marble are twelve paintings on marble slabs from the Roman age, mostly coming from Herculaneum, and are now preserved at the National Archaeological Museum of Naples and at the Kunsthistorisches Museum of Vienna. These paintings were included in several publications. Despite that, they continued to raise many questions and there was a lack of studies focusing entirely on them. Furthermore, it had barely been clarified that, despite the name "monochromes", these works are completely polychrome. By combining the archaeological data and the information obtained from the non-invasive archaeometrical analysis, it was possible to achieve brand new results, which allowed for a better understanding of some aspects of these works, such as their iconography, the used pigments used and the clients’ choices.


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