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dc.contributor.authorWaterhouse, Elizabeth
dc.date.accessioned2022-04-12T04:06:43Z
dc.date.available2022-04-12T04:06:43Z
dc.date.issued2022
dc.date.submitted2022-04-11T13:02:26Z
dc.identifierONIX_20220411_9783839455883_3
dc.identifierhttps://library.oapen.org/handle/20.500.12657/53926
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/80813
dc.description.abstractTold from the perspective of the dancers, »Processing Choreography: Thinking with William Forsythe's Duo« is an ethnography that reconstructs the dancers' activity within William Forsythe's Duo project. The book is written legibly for readers in dance studies, the social sciences, and dance practice. Considering how the choreography of Duo emerged through practice and changed over two decades of history (1996-2018), Elizabeth Waterhouse offers a nuanced picture of creative cooperation and institutionalized process. She presents a compelling vision of choreography as a nexus of people, im/material practices, contexts, and relations. As a former Forsythe dancer herself, the author provides novel insights into this choreographic community.
dc.languageEnglish
dc.relation.ispartofseriesNeue Ökologie
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::A The arts::AS Dance & other performing arts::ASD Dance
dc.subject.otherWilliam Forsythe
dc.subject.otherChoreography
dc.subject.otherPractice Theory
dc.subject.otherPractice Turn
dc.subject.otherProcess
dc.subject.otherCreativity
dc.subject.otherDance
dc.titleProcessing Choreography
dc.title.alternativeThinking with William Forsythe's Duo
dc.typebook
oapen.identifier.doi10.1515/9783839455883
oapen.relation.isPublishedBy7e97f9b9-be2b-4d9c-a928-3c8ebdfa443c
oapen.relation.isbn9783839455883
oapen.relation.isbn9783837655889
oapen.collectionSwiss National Science Foundation (SNF)
oapen.imprinttranscript Verlag
oapen.pages342
oapen.place.publicationBielefeld
dc.relationisFundedBySchweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung
dc.seriesnumber7


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