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dc.contributor.authorMochizuki, Mia M.
dc.date.accessioned2022-04-08T04:00:56Z
dc.date.available2022-04-08T04:00:56Z
dc.date.issued2022
dc.date.submitted2022-04-07T09:14:42Z
dc.identifierONIX_20220407_9789004462519_12
dc.identifierhttps://library.oapen.org/handle/20.500.12657/53797
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/80654
dc.description.abstractMia Mochizuki draws upon masterpieces and material culture from around the world to show how the pre-suppression Society of Jesus (1540–1773) pioneered structural innovations in the history of the image. ; Readership: All interested in early modern, religious, and global art history, and anyone concerned with Renaissance and Baroque art and architecture, Jesuit studies, and the world-wide circulation of prints. Keywords: Renaissance art, Baroque art, religious art, Jesuit art and architecture, global art history, print history, 1540–1773, Jesuit style, Spiritual Exercises, Evangelicae historiae imagines, Imago primi saeculi Societatis Iesu, Ignatius of Loyola, Francis Xavier.
dc.languageEnglish
dc.relation.ispartofseriesBrill Research Perspectives in Humanities and Social Sciences
dc.rightsopen access
dc.subject.classificationthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of arten_US
dc.subject.classificationthema EDItEUR::6 Style qualifiers::6B Styles (B)::6BA Baroqueen_US
dc.subject.otherHistory of art & design styles
dc.subject.otherArt & design styles: Baroque
dc.titleJesuit Art
dc.title.alternativeBrill's Research Perspectives in Jesuit Studies
dc.typebook
oapen.identifier.doi10.1163/9789004498228
oapen.relation.isPublishedBy33fecb33-e7c4-4fc8-96b0-7ba2fccafba9
oapen.relation.isbn9789004462519
oapen.relation.isbn9789004498228
oapen.imprintBRILL
oapen.pages228


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