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dc.contributor.editorJacob, Frank
dc.date.accessioned2022-04-01T04:02:05Z
dc.date.available2022-04-01T04:02:05Z
dc.date.issued2022
dc.date.submitted2022-03-31T08:49:29Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/53676
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/79840
dc.description.abstractThe human experience of war is not only remembered by societies through memorials, but also through the depiction of wars and important battles of respective national histories on screen. Very often, the image presented is related to existent semiotics, and the respective sign systems determine the image of heroic actions and violence on the screen. The present volume provides a deeper insight into the forces at play when war films are presented on the big screen and intends to show why and how violent conflicts often have an afterlife as visual media as well.
dc.languageEnglish
dc.rightsopen access
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studiesen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFN Film: styles and genresen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinemaen_US
dc.subject.otherOmer Fast; Steve McQueen; war film; Christopher Nolan; Roland Barthes; film aesthetics; Maya Schweizer; Alain Delon; Clemens von Wedemeyer; Fernando Frías; Mario Volpe; semiotics; war images; film narratives; national narratives; Amat Escalante; Frank Herbert; popular culture; Alessandro Blasetti
dc.titleWar in Film
dc.title.alternativeSemiotics and Conflict Related Sign Constructions on the Screen
dc.typebook
oapen.identifier.doi10.14631/978-3-96317-852-8
oapen.relation.isPublishedBy2057a33c-abe5-474a-b271-9acaf528f719
oapen.relation.isbn9783963173035
oapen.pages229


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