Music: Its Theologies and Spiritualities
A Global Perspective
dc.contributor.editor | Foley, Edward | |
dc.date.accessioned | 2021-05-01T15:47:10Z | |
dc.date.available | 2021-05-01T15:47:10Z | |
dc.date.issued | 2020 | |
dc.identifier | ONIX_20210501_9783039435937_1089 | |
dc.identifier.uri | https://directory.doabooks.org/handle/20.500.12854/69343 | |
dc.description.abstract | This volume is an exploration of the varied and sometimes unrecognized ways in which music—especially in ritual contexts—can serve as both a spiritual conduit as well as a theological source. With topics ranging from a Congolese choir in Ireland to the Orthodox chant in Georgia, from postmodern reflections on new Passion compositions to reflections on the sacramentality of Black gospel music, this volume offers a rich plumbing of very diverse yet well researched musical traditions—case studies from around the globe—for their spiritual and theological contributions. | |
dc.language | English | |
dc.subject.classification | bic Book Industry Communication::A The arts::AV Music | |
dc.subject.other | Charismatic Prayer Meeting | |
dc.subject.other | Praise and Worship | |
dc.subject.other | Speaking/Singing in Tongues | |
dc.subject.other | spirituality | |
dc.subject.other | music | |
dc.subject.other | wellbeing | |
dc.subject.other | Korean migrants | |
dc.subject.other | Theodor Adorno | |
dc.subject.other | Dietrich Bonhoeffer | |
dc.subject.other | Karl Barth | |
dc.subject.other | Anton Webern | |
dc.subject.other | Gustav Mahler | |
dc.subject.other | demythologization | |
dc.subject.other | secularization | |
dc.subject.other | Confessing Church | |
dc.subject.other | German modernism | |
dc.subject.other | singing | |
dc.subject.other | migration | |
dc.subject.other | asylum-seeker | |
dc.subject.other | refugee | |
dc.subject.other | the sacred | |
dc.subject.other | creativity | |
dc.subject.other | sonority | |
dc.subject.other | Ireland | |
dc.subject.other | the Congo | |
dc.subject.other | Passion | |
dc.subject.other | liminality | |
dc.subject.other | ritual | |
dc.subject.other | postmodernism | |
dc.subject.other | choral music | |
dc.subject.other | 21st century music | |
dc.subject.other | sacred music | |
dc.subject.other | composition | |
dc.subject.other | theology | |
dc.subject.other | theoartistry | |
dc.subject.other | annunciation | |
dc.subject.other | Hebrew Bible | |
dc.subject.other | James MacMillan | |
dc.subject.other | Michael Symmons Roberts | |
dc.subject.other | Jeremy Begbie | |
dc.subject.other | keen | |
dc.subject.other | wake | |
dc.subject.other | funeral | |
dc.subject.other | tradition | |
dc.subject.other | custom | |
dc.subject.other | culture | |
dc.subject.other | history | |
dc.subject.other | chant | |
dc.subject.other | Georgian chant | |
dc.subject.other | Orthodox theology | |
dc.subject.other | exegesis of tradition | |
dc.subject.other | aesthetics | |
dc.subject.other | polyphony | |
dc.subject.other | oral tradition | |
dc.subject.other | Dionysios the Areopagite | |
dc.subject.other | sacramentality | |
dc.subject.other | gospel | |
dc.subject.other | African American | |
dc.subject.other | dance | |
dc.title | Music: Its Theologies and Spiritualities | |
dc.title.alternative | A Global Perspective | |
dc.type | book | |
oapen.identifier.doi | 10.3390/books978-3-03943-594-4 | |
oapen.relation.isPublishedBy | 46cabcaa-dd94-4bfe-87b4-55023c1b36d0 | |
oapen.relation.isbn | 9783039435937 | |
oapen.relation.isbn | 9783039435944 | |
oapen.pages | 182 | |
oapen.place.publication | Basel, Switzerland |
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