Interlude. "But are as the angels which are in heaven" (Mark 12:25). Reimagining a Gender-Ambiguous Heaven in Dorian Electra’s ADAM & STEVE : Interlude.

dc.contributor.author	Yannick Schlote	*
dc.date.accessioned	2021-02-12T10:22:27Z
dc.date.available	2021-02-12T10:22:27Z
dc.date.issued	2020	*
dc.date.submitted	2020-11-23 17:10:12	*
dc.identifier	50732	*
dc.identifier.issn	2414-0201	*
dc.identifier.uri	https://directory.doabooks.org/handle/20.500.12854/63388
dc.description.abstract	The American singer and songwriter Dorian Electra is a queer phenomenon. Their dandy appearance – the latest album is called Flamboyant (2017) – goes hand in hand with the criticism of toxic masculinity and gender binarism. One of their latest tracks, called "Adam and Steve", is a gay retelling of the Genesis story. It turns on the derogative phrase: It‘s Adam and Eve, not Adam and Steve that is used to imply an irreconcilable disparity between Christianity and gay love, i.e. queerness in general ...	*
dc.language	English	*
dc.relation.ispartofseries	Journal for Religion, Film and Media	*
dc.subject	BL1-2790	*
dc.subject	M1-5000	*
dc.subject	N1-9211	*
dc.title	Interlude. "But are as the angels which are in heaven" (Mark 12:25). Reimagining a Gender-Ambiguous Heaven in Dorian Electra’s ADAM & STEVE	*
dc.title.alternative	Interlude.	*
dc.type	chapter
oapen.identifier.doi	10.25364/05.6:2020.2.1	*
oapen.relation.isPublishedBy	5b80c228-3393-4862-a8e9-6c35a63484f1	*
oapen.relation.isPartOfBook	fa1c53a6-5634-4929-b5ce-5fd001346e24	*
oapen.pages	86-89	*
oapen.volume	6-2	*

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