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dc.contributor.authorGabriele Bacherini*
dc.date.accessioned2021-02-11T14:00:58Z
dc.date.available2021-02-11T14:00:58Z
dc.date.issued2020*
dc.date.submitted2020-11-10 16:25:58*
dc.identifier49412*
dc.identifier.issn24208361*
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/47998
dc.description.abstract<i>Frammenti di massificazione: le neoavanguardie anglo-germanofone, il cut-up di Burroughs e la pop art negli anni Sessanta e Settanta</i> analyses the influence of William Seward Burroughs’ cut-up method on British and German-language neo-avant-gardes of the 1960s and 1970s from a comparative point of view, with particular attention to the literary context of the Federal Republic of Germany. In four chapters devoted to a profile of this American intellectual and artist, the origins, stylistic features and reception of the cut-up method, the author investigates the reasons for the success of this process, rediscovered by Burroughs and aiming at a reconstruction of text fragments to build up new textual entities. The last chapter is an overview of the most interesting of the uses of the cut-up method in artistic environments other than literary writing, documenting the transformation of a rebellious technique into a new form of expression, i.e. pop art.*
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna*
dc.subjectP1-1091*
dc.subject.otherNeo-avant-gardes*
dc.subject.otherPop art*
dc.subject.otherBurroughs*
dc.subject.otherDada*
dc.subject.otherCut-up*
dc.subject.other1968*
dc.titleFrammenti di massificazione: le neoavanguardie anglo-germanofone, il cut-up di Burroughs e la pop art negli anni Sessanta e Settanta*
dc.typebook
oapen.identifier.doi10.36253/978-88-5518-131-0*
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a*
virtual.oapen_relation_isPublishedBy.publisher_nameFirenze University Press
virtual.oapen_relation_isPublishedBy.publisher_websitewww.fupress.com/
oapen.relation.isbn9788855181310*
oapen.pages270*
oapen.volume54*


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