Disruption in the Arts. Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions

dc.contributor.author	Nanz, Tobias	*
dc.contributor.author	Pause, Johannes	*
dc.contributor.author	Koch, Lars	*
dc.date.accessioned	2021-02-11T11:34:32Z
dc.date.available	2021-02-11T11:34:32Z
dc.date.issued	2018	*
dc.date.submitted	2019-11-06 16:06:17	*
dc.identifier	38439	*
dc.identifier.issn	21947104	*
dc.identifier.uri	https://directory.doabooks.org/handle/20.500.12854/45277
dc.description.abstract	The volume examines aesthetic disruptions within the various arts in contemporary culture. It assumes that the political potential of art is not solely derived from presenting its audiences with openly political content. Rather, it creates a space of perception and interaction using formal means, thus problematizing the self-evidence of hegemonic structures of communication.	*
dc.language	English	*
dc.relation.ispartofseries	Culture & Conflict	*
dc.subject	NX1-820	*
dc.subject.other	societal self-description	*
dc.subject.other	Disruption	*
dc.subject.other	arts	*
dc.title	Disruption in the Arts. Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions	*
dc.type	book
oapen.identifier.doi	10.1515/9783110580082	*
oapen.relation.isPublishedBy	af2fbfcc-ee87-43d8-a035-afb9d7eef6a5	*
oapen.relation.isbn	9783110580082	*
oapen.pages	396	*
oapen.volume	11	*

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