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David Smith - Medals for Dishonor (1936-40). Ein ikonografischer Vergleich

dc.contributor.authorLanganke, Cathrin*
dc.date.accessioned2021-02-11T10:59:38Z
dc.date.available2021-02-11T10:59:38Z
dc.date.issued2013*
dc.date.submitted2016-08-11 12:46:28*
dc.identifier19477*
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/44568
dc.description.abstractDavid Smith, who is known in the United States mostly for his abstract sculptures, starts in 1936 with his series Medals for Dishonor (1936-40). By using surrealistic motifs he is showing within this series the horrors of war. Compared with artworks of leading surrealists at that time you can see that there is also a change of iconography: Motifs of violence increase. Could Smiths series of medals therefore be seen as an example for the change of iconography in Surrealism within the 1930s?*
dc.languageGerman*
dc.subjectNX1-820*
dc.subject.classificationthema EDItEUR::A The Artsen_US
dc.subject.otherMedaillen*
dc.subject.otherSurrealismus*
dc.subject.otherIkonografie*
dc.subject.otherGewalt*
dc.subject.otherDavid Smith*
dc.titleDavid Smith - Medals for Dishonor (1936-40). Ein ikonografischer Vergleich*
dc.typebook
oapen.identifier.doi10.5445/KSP/1000037232*
oapen.relation.isPublishedBy68fffc18-8f7b-44fa-ac7e-0b7d7d979bd2*
oapen.relation.isbn9783731501374*
oapen.pages245 p.*
peerreview.review.typeFull text
peerreview.anonymityAll identities known
peerreview.reviewer.typeInternal editor
peerreview.reviewer.typeExternal peer reviewer
peerreview.review.stagePre-publication
peerreview.open.reviewNo
peerreview.publish.responsibilityScientific or Editorial Board
peerreview.id8ad5c235-9810-49eb-b358-27c8675324d9
peerreview.titleDissertations (Dissertationen)


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