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Art Markets and Digital Histories

dc.contributor.authorRasterhoff, Claartje*
dc.contributor.authorVan Ginhoven, Sandra*
dc.date.accessioned2021-02-11T08:30:06Z
dc.date.available2021-02-11T08:30:06Z
dc.date.issued2020*
dc.date.submitted2020-04-07 23:07:09*
dc.identifier44816*
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/41321
dc.description.abstractThis Special Issue of Arts investigates the use of digital methods in the study of art markets and their histories. As historical and contemporary data is rapidly becoming more available, and digital technologies are becoming integral to research in the humanities and social sciences, we sought to bring together contributions that reflect on the different strategies that art market scholars employ to navigate and negotiate digital techniques and resources. The essays in this issue cover a wide range of topics and research questions. Taken together, the essays offer a reflection on what takes to research art markets, which includes addressing difficult topics such as the nature of the research questions and the data available to us, and the conceptual aspects of art markets, in order to define and operationalize variables and to interpret visual and statistical patterns for scholarship. In our view, this discussion is enriched when also taking into account how to use shared or interoperable ontologies and vocabularies to define concepts and relationships that facilitate the use and exchange of linked (open) data for cultural heritage and historical research.*
dc.languageEnglish*
dc.subjectNX440-632*
dc.subjectNX1-820*
dc.subject.classificationthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of arten_US
dc.subject.otherartistic reputation*
dc.subject.otherdeep mapping*
dc.subject.otherauction price*
dc.subject.otheronline art market*
dc.subject.otherART COLOGNE*
dc.subject.otherphoto object*
dc.subject.otherdigital art history*
dc.subject.otherFlemish Baroque*
dc.subject.otherart forgery*
dc.subject.other20th century*
dc.subject.othermuseums*
dc.subject.othereconometrics*
dc.subject.otheracademic system*
dc.subject.otherAntwerp*
dc.subject.otherbig data*
dc.subject.othersocial bubble*
dc.subject.otherspatial art history*
dc.subject.otherSalon*
dc.subject.otherHarrison and Cynthia White*
dc.subject.otherdealer-critic system*
dc.subject.otherbehavioral analysis*
dc.subject.otherprestige*
dc.subject.otherart market*
dc.subject.othercryptocurrency*
dc.subject.otherart indices*
dc.subject.otherInternet galleries*
dc.subject.otherblockchain*
dc.subject.otherdigital humanities*
dc.subject.otherVerband von Museums-Beamten zur Abwehr von Fälschungen und unlauterem Geschäftsgebahren*
dc.subject.otherphotography*
dc.subject.otherart fairs*
dc.subject.otherassociative theory*
dc.subject.otherarchives*
dc.subject.othermuseum exhibition*
dc.subject.otheruncertainty*
dc.subject.othersocial network*
dc.subject.otheronline auctions*
dc.subject.otherAmsterdam*
dc.subject.othercopper painting*
dc.subject.otherdecision-making under risk*
dc.subject.otherdata visualization*
dc.subject.othermediation*
dc.subject.otherassociative status networks*
dc.subject.othereditorial*
dc.subject.otherdigital mapping*
dc.subject.otherDutch Golden Age*
dc.subject.otherdigital object*
dc.subject.otherinformational asymmetry*
dc.subject.otherart markets*
dc.subject.otherdata constraints*
dc.subject.otherpainting*
dc.subject.otherartificial intelligence (AI)*
dc.subject.otherdigital history*
dc.subject.otherart market studies*
dc.subject.otherintermediaries*
dc.subject.otherHans Rottenhammer*
dc.subject.othergalleries*
dc.subject.othermerchants*
dc.subject.otherart fair*
dc.subject.otherpainting production*
dc.subject.otherJan Brueghel the Elder*
dc.titleArt Markets and Digital Histories*
dc.typebook
oapen.identifier.doi10.3390/books978-3-03921-971-1*
oapen.relation.isPublishedBy46cabcaa-dd94-4bfe-87b4-55023c1b36d0*
oapen.relation.isbn9783039219711*
oapen.relation.isbn9783039219704*
oapen.pages156*
oapen.edition1st*


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