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dc.contributor.authorSchmitt, Christina
dc.date.accessioned2021-02-10T15:08:23Z
dc.date.available2021-02-10T15:08:23Z
dc.date.issued2020
dc.identifierBook_9783110614619_20200507_20
dc.identifier2509-4351
dc.identifierhttp://library.oapen.org/handle/20.500.12657/37616
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/39725
dc.description.abstractThis book develops a transdisciplinary perspective at the interface between a linguistic study of metaphor focused on language use and a theory of audio-visual media as moving images rooted in film studies. Detailed analyses of different film formats – from Hollywood movies to political reportage – show how metaphorization is a filmic type of thinking structured by the performativity of audio-visual images.
dc.languageGerman
dc.relation.ispartofseriesCinepoetics
dc.rightsopen access
dc.subject.othermetaphor
dc.subject.otherfilm
dc.titleWahrnehmen, fühlen, verstehen
dc.typebook
oapen.identifier.doi10.1515/9783110614619
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
virtual.oapen_relation_isPublishedBy.publisher_nameDe Gruyter
virtual.oapen_relation_isPublishedBy.publisher_websitehttp://www.degruyter.com/
oapen.imprintDe Gruyter
oapen.pages288
oapen.place.publicationBerlin/Boston
dc.dateSubmitted2020-05-07T15:49:23Z
dc.seriesnumber8
dc.abstractotherlanguageThis book develops a transdisciplinary perspective at the interface between a linguistic study of metaphor focused on language use and a theory of audio-visual media as moving images rooted in film studies. Detailed analyses of different film formats – from Hollywood movies to political reportage – show how metaphorization is a filmic type of thinking structured by the performativity of audio-visual images.


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open access
Except where otherwise noted, this item's license is described as open access