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dc.contributor.authorZiolkowski, Jan M.
dc.date.accessioned2021-02-10T12:58:18Z
dc.date.issued2018
dc.date.submitted2019-03-06 14:45:34
dc.date.submitted2020-04-01T10:50:04Z
dc.identifier1004281
dc.identifierOCN: 1076785636
dc.identifierhttp://library.oapen.org/handle/20.500.12657/25808
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/38341
dc.description.abstract"This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. In this concluding volume, Ziolkowski explores the popularity of The Juggler of Notre Dame from the 1930s through the Second World War, especially in the Allied Resistance. Its popularity in the United States was subsequently maintained by figures as diverse as Tony Curtis and W. H. Auden, and although recently the story and medievalism have lost ground, the future of both holds promise. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies."
dc.languageEnglish
dc.relation.ispartofseries62035e27-8ddf-462a-9850-b67b11f46244
dc.relation.ispartofseriesccecd98a-723a-4082-9e27-da4ec1fa528c
dc.relation.ispartofseriesb707c8c4-f9e3-4f28-9273-1fa6db7364d2
dc.relation.ispartofseries8046f78a-e112-4b0d-acca-a2ca2187a1ed
dc.relation.ispartofseries61a1d76e-63cc-4bcc-95ac-e21b6374c2a4
dc.rightsopen access
dc.subject.classificationthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of arten_US
dc.subject.classificationthema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval styleen_US
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studiesen_US
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBG Popular beliefs and controversial knowledge::JBGB Folklore studies / Study of myth (mythology)en_US
dc.subject.otherMiddle Ages
dc.subject.otherreception studies
dc.subject.otherModernity
dc.subject.othermedieval studies
dc.subject.othermedievalism
dc.subject.otherphilology
dc.subject.otherliterary history
dc.subject.otherart history
dc.subject.otherfolklore
dc.subject.otherperformance studies
dc.subject.otherclassical music
dc.subject.otherLe jongleur de Notre Dame
dc.titleThe Juggler of Notre Dame and the Medievalizing of Modernity
dc.title.alternativeVolume 6: War and Peace, Sex and Violence
dc.typebook
oapen.identifier.doi10.11647/OBP.0149
oapen.relation.isPublishedByb014b543-78bd-4c3b-bc71-b68e2ac855b9
oapen.relation.isbn9781783745395
oapen.collectionScholarLed
oapen.pages332


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