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dc.contributor.authorPollmann, Inga
dc.date.issued2017
dc.date.submitted2019-11-06 23:55
dc.date.submitted2020-03-27 15:48:21
dc.date.submitted2020-04-01T09:55:45Z
dc.identifier1005804
dc.identifierOCN: 1135845017
dc.identifierhttp://library.oapen.org/handle/20.500.12657/24327
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/37682
dc.description.abstractThis book draws new connections between twentieth-century German and French film theory and practice and vitalist conceptions of life from biology and philosophy. Inga Pollmann shows how the links between the two created a modernist, experimental, and cinematic strand of vitalism in and around the movie theater. Articulated by film theorists, filmmakers, biologists, and philosophers, this cinematic vitalism maps out connections among human beings, milieus, and technologies that continue to structure our understanding of film.  
dc.languageEnglish
dc.relation.ispartofseriesFilm Culture in Transition
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticism
dc.subject.classificationbic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies
dc.subject.otherFilm Studies
dc.titleCinematic Vitalism
dc.typebook
oapen.identifier.doi10.2307/j.ctv5nph05
oapen.relation.isPublishedByde2ecbe7-1037-4e96-8c3a-5a842d921e04
virtual.oapen_relation_isPublishedBy.publisher_nameAmsterdam University Press
virtual.oapen_relation_isPublishedBy.publisher_websitewww.aup.nl
oapen.relation.isbn9789462983656
oapen.pages257
oapen.place.publicationAmsterdam


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