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dc.contributorBianchino, Giacomo
dc.contributorChristopher, Roy
dc.contributorC, YS
dc.contributorGranata, Yvette
dc.contributorHer, Seong-Young
dc.contributorHobson, Thomas
dc.contributorKiberd, Roisin
dc.contributorKonior, Bogna M.
dc.contributorModi, Kaajal
dc.contributorOwens, Jay
dc.contributorParker , Ian
dc.contributorPettman, Dominic
dc.contributorReed, Patricia
dc.contributorReoch, Angus
dc.contributorRussell, Francis
dc.contributorde Seta, Gabriele
dc.contributorWhyman, Tom
dc.contributorWark, McKenzie
dc.contributorWark, Scott
dc.contributorWilson, Eric
dc.contributor.editorBown, Alfie
dc.contributor.editorBristow , Dan
dc.date.issued2019
dc.date.submitted2019-11-12 23:55
dc.date.submitted2020-01-23 14:09:07
dc.date.submitted2020-04-01T09:30:19Z
dc.identifier1006308
dc.identifierOCN: 1135847279
dc.identifierhttp://library.oapen.org/handle/20.500.12657/23830
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/37483
dc.description.abstractArt-form, send-up, farce, ironic disarticulation, pastiche, propaganda, trololololol, mode of critique, mode of production, means of politicisation, even of subjectivation -- memes are the inner currency of the internet’s circulatory system. Independent of any one set value, memes are famously the mode of conveyance for the alt-right, the irony left, and the apoliticos alike,  and they are impervious to many economic valuations: the attempts made in co-opting their discourse in advertising and big business have made little headway, and have usually been derailed by retaliative meming. Post-Memes: Seizing the Memes of Production takes advantage of the meme’s subversive adaptability and ripeness for a focused, in-depth study. Pulling together the interrogative forces of a raft of thinkers at the forefront of tech theory and media dissection, this collection of essays paves a way to articulating the semiotic fabric of the early 21st century’s most prevalent means of content posting, and aims at the very seizing of the memes of production for the imagining and creation of new political horizons.With contributions from Scott and McKenzie Wark, Patricia Reed, Jay Owens, Thomas Hobson and Kaajal Modi, Dominic Pettman, Bogna M. Konior, and Eric Wilson, among others, this essay volume offers the freshest approaches available in the field of memes studies and inaugurates a new kind of writing about the newest manifestations of the written online. The book aims to become the go-to resource for all students and scholars of memes, and will be of the utmost interest to anyone interested in the internet’s most viral phenomenon.
dc.languageEnglish
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies
dc.subject.othermemes
dc.subject.othermedia studies
dc.subject.otherpopular culture
dc.subject.otherDigital Humanities
dc.subject.othertechnology
dc.subject.othersocial media
dc.subject.otherinternet culture
dc.titlePost Memes
dc.title.alternativeSeizing the Memes of Production
dc.typebook
oapen.identifier.doi10.21983/P3.0255.1.00
oapen.relation.isPublishedBy12970da4-0116-4486-b8be-fc9756703ab1
virtual.oapen_relation_isPublishedBy.publisher_namepunctum books
virtual.oapen_relation_isPublishedBy.publisher_websitehttp://punctumbooks.com
oapen.relation.isbn9781950192441
oapen.collectionScholarLed
oapen.pages423
oapen.place.publicationBrooklyn, NY


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