Show simple item record

dc.date.accessioned2021-01-24T00:22:36Z
dc.date.available2021-01-24T00:22:36Z
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/3705
dc.typegrantor
oapen.relation.funds424bb224-186c-44bc-b58e-cc58c6b02a6a
oapen.relation.fundsf252ed2e-fa56-4e78-a883-4038edca0dea
oapen.relation.funds20627b09-2ce9-491e-a275-994d29672014
grantor.nameWayne State University
grantor.acronymWSU
grantor.acronymWayne State
grantor.doi10.13039/100006710


Files in this item

FilesSizeFormatView

There are no files associated with this item.

This item appears in the following Collection(s)

Show simple item record

Funded publications

  • De Benedictis, Raffaele (2024)
    In this study discourse is considered as the act of communication that analyzes its internal dynamic process mediating between the intention of the author embedded in the text, the intention of the text, and various, ...
  • De Benedictis, Raffaele (2024)
    In the Paradiso, Dante attempts to emphasize the heightened tension between the limits of human language and the need to put into words a content that deals with divine ineffability. It is a content-stuff that is not ...
  • De Benedictis, Raffaele (2024)
    In this chapter the author lays out a theoretical groundwork for a semiotic theory of multimodality in the Divine Comedy. The analysis is not comprehensive of all modes, but limited to key-modal forms that Dante’s text ...