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dc.contributor.authorCai, Zong-qi
dc.contributor.authorCai, Zong-qu
dc.date.accessioned2021-02-10T14:31:43Z
dc.date.available2021-02-10T14:31:43Z
dc.date.issued2020
dc.identifierONIX_20200923_9780472901449_37
dc.identifier48450*
dc.identifierhttps://library.oapen.org/handle/20.500.12657/41841
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/36006
dc.description.abstractPentasyllabic poetry has been a focus of critical study since the appearance of the earliest works of Chinese literary criticism in the Six Dynasties period. Throughout the subsequent dynasties, traditional Chinese critics continued to examine pentasyllabic poetry as a leading poetic type and to compile various comprehensive anthologies of it. The Matrix of Lyric Transformation enriches this tradition, using modern analytical methods to explore issues of self-expression and to trace the early formal, thematic, and generic developments of this poetic form. Beginning with a discussion of the Yüeh-fu and ku-shih genres of the Han period, Cai Zong-qi introdues the analytical framework of modes from Western literary criticism to show how the pentasyllabic poetry changed over time. He argues that changing practices of poetic composition effected a shift from a dramatic mode typical of folk compositions to a narrative mode and finally to lyric and symbolic modes developed in literati circles.
dc.languageEnglish
dc.languageChinese
dc.relation.ispartofseriesMichigan Monographs In Chinese Studies
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology
dc.subject.otherSociology and anthropology
dc.titleThe Matrix of Lyric Transformation
dc.title.alternativePoetic Modes and Self-Presentation in Early Chinese Pentasyllabic Poetry
dc.typebook
oapen.identifier.doi10.3998/mpub.19985
oapen.relation.isPublishedByb7359529-e5f7-4510-a59f-d7dafa1d4d17
oapen.relation.isFundedBye0dc0d25-52d8-4ba4-b08d-3a3e26277bed
oapen.relation.isFundedBydcf50849-b837-420d-ac46-64995a7bf0d4
oapen.relation.isFundedBy0314e571-4102-4526-b014-3ed8f2d6750a
oapen.relation.isFundedBy0cdc3d7c-5c59-49ed-9dba-ad641acd8fd1
oapen.imprintU OF M CENTER FOR CHINESE STUDIES
oapen.pages273
oapen.place.publicationAnn Arbor
oapen.grant.number[grantnumber unknown]
oapen.grant.number[grantnumber unknown]
oapen.review.commentsThe proposal was selected by the acquisitions editor who invited a full manuscript. The full manuscript was reviewed by two external readers using a double-blind process. Based on the acquisitions editor recommendation, the external reviews, and their own analysis, the Executive Committee (Editorial Board) of U-M Press approved the project for publication.en_US
oapen.peerreviewExternal Review of Whole Manuscript
peerreview.review.decisionYes
peerreview.review.typeFull text
peerreview.reviewer.typeExternal peer reviewer
peerreview.review.stagePre-publication
peerreview.open.reviewNo
peerreview.publish.responsibilityScientific or Editorial Board
peerreview.idd98bf225-990a-4ac4-acf4-fd7bf0dfb00c
dc.dateSubmitted2020-09-23T15:17:05Z
dc.relationisFundedBy0314e571-4102-4526-b014-3ed8f2d6750a
dc.relationisFundedBy0cdc3d7c-5c59-49ed-9dba-ad641acd8fd1
dc.seriesnumber75


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