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dc.contributor.editorSolomon, Jon
dc.contributor.editorRenger, Almut-Barbara
dc.date.accessioned2021-02-10T14:28:57Z
dc.date.available2021-02-10T14:28:57Z
dc.date.issued2020
dc.identifierhttps://library.oapen.org/handle/20.500.12657/43451
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/35711
dc.description.abstractMore than a century ago, filmmakers made their primary focus innovative and widely promulgated visions of antiquity, creating a profound effect on the critical, popular, and scholarly reception of antiquity. In this volume, scholars from a variety of countries and varying academic disciplines have addressed film’s way of using the field of Classical Reception to investigate, contemplate, and develop hypotheses about present-day culture, society, and politics, with a particular emphasis on gender and gender roles, their relationship to one another, and how filmic constructions of masculinity and femininity shape and are shaped by interacting economic, political, and ideological practices.
dc.languageEnglish
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies
dc.subject.otherSocial Science
dc.subject.otherMedia Studies
dc.titleAncient Worlds in Film and Television
dc.title.alternativeGender and Politics
dc.typebook
oapen.relation.isPublishedBy33fecb33-e7c4-4fc8-96b0-7ba2fccafba9
oapen.relation.isFundedBy969f21b5-ac00-4517-9de2-44973eec6874
oapen.relation.isbn9789004241923
oapen.collectionKnowledge Unlatched (KU)
oapen.imprintBrill
dc.dateSubmitted2020-12-15T13:30:20Z
dc.number103957
dc.relationisFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9


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open access
Except where otherwise noted, this item's license is described as open access