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dc.contributor.authorMazierska, Ewa
dc.date.submitted2018-09-27 23:55
dc.date.submitted2019-10-17 14:49:43
dc.identifierOCN: 1082940541
dc.description.abstractMazierska presents a cultural history of popular Viennese electronic music from 1990 to 2015, from the perspectives of production, scene and national and international reception. To illustrate this history in depth, a number of case studies of the most successful and distinguished musicians are explored, such as Kruder and Dorfmeister, Patrick Pulsinger, Tosca, Electric Indigo and Sofa Surfers. The author draws on research about electronic music, the relationship between music and the urban environment, the history of Austria and Vienna, music scenes and fandom, the digital shift , stardom in popular music (especially electronic music), as well as theories of postmodernism.
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::A The arts
dc.subject.otherCultural history
dc.subject.otherelectronic music
dc.titlePopular Viennese Electronic Music, 1990–2015
dc.title.alternativeA Cultural History
virtual.oapen_relation_isPublishedBy.publisher_nameTaylor & Francis
oapen.relation.hasChapterChapter 4 Kruder and Dorfmeister
oapen.relation.hasChapterChapter 8 Peter Rehberg, Christian Fennesz and the Label Mego

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Chapters in this book

  • Mazierska, Ewa (2018)
    When Cruise , the film whose dialogue I used as an epigraph for this chapter, was released in 1970, these words were seen as capturing Polish inability to move beyond the safe zone of a well-known repertoire of images, ...
  • Mazierska, Ewa (2018)
    A large proportion of artists considered in this study at some stage of their career veered towards ‘serious’ or experimental music. This also refers to Peter Rehberg and Christian Fennesz. However, they differ from those ...