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dc.contributor.authorMayer, Vicki
dc.date.accessioned2021-02-10T14:13:37Z
dc.date.available2021-02-10T14:13:37Z
dc.date.issued2017
dc.date.submitted2020-12-15T13:58:00Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/43783
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/34050
dc.description.abstractEarly in the twenty-first century, Louisiana, one of the poorest states in the United States, redirected millions in tax dollars from the public coffers in an effort to become the top location site globally for the production of Hollywood films and television series. Why would lawmakers support such a policy? Why would citizens accept the policy’s uncomfortable effects on their economy and culture? Almost Hollywood, Nearly New Orleans addresses these questions through a study of the local and everyday experiences of the film economy in New Orleans, Louisiana—a city that has twice taken the mantle of becoming a movie production capital. From the silent era to today’s Hollywood South, Vicki Mayer explains that the aura of a film economy is inseparable from a prevailing sense of home, even as it changes that place irrevocably. “A scathing critique of the economic realities and broken promises of Hollywood South, told in rich ethnographic detail and passionately argued through Vicki Mayer’s deep connection to New Orleans. This is a vital book.” -NITIN GOVIL, author of Orienting Hollywood: A Century of Film Culture between Los Angeles and Bombay “Mayer guides readers through the numbers and arguments behind Louisiana’s costly love affair with the film industry and raises important questions over whether the state’s citizens are getting their money’s worth.” -STEPHANIE GRACE, columnist, The New Orleans Advocate “A visionary in the study of cultural labor, economy, and geography, Mayer is that rare writer who combines exquisite storytelling with rigorous scholarship. This is an essential contribution to film and media studies, and an urgent history lesson for policy makers.” -MELISSA GREGG, author of Work’s Intimacy VICKI MAYER is Professor of Communication at Tulane University. She is coeditor of the journal Television & New Media and author or editor of several books and journal articles about media production, creative industries, and cultural work.
dc.languageEnglish
dc.rightsopen access
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studiesen_US
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSD Urban communitiesen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinemaen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATJ Televisionen_US
dc.subject.otherSocial Science
dc.subject.otherMedia Studies
dc.subject.otherSocial Science
dc.subject.otherSociology
dc.subject.otherUrban
dc.subject.otherPerforming Arts
dc.subject.otherFilm
dc.subject.otherGeneral
dc.titleAlmost Hollywood, Nearly New Orleans
dc.title.alternativeThe Lure of the Local Film Economy
dc.typebook
oapen.identifier.doihttps://doi.org/10.1525/luminos.25
oapen.relation.isPublishedBy19856893-4bf2-4e3e-9137-c7692d64e4c1
oapen.relation.isPublishedBye4a421f0-d99d-4e01-bd11-e1b0b06bf18d
oapen.relation.isFundedByKnowledge Unlatched
oapen.relation.isbn9780520967175
oapen.collectionKnowledge Unlatched (KU)
oapen.imprintUniversity of California Press
dc.relationisFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9


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