Heritage and Festivals in Europe
Performing Identities
dc.contributor.editor | Kockel, Ullrich | |
dc.contributor.editor | Clopot, Cristina | |
dc.contributor.editor | Tjarve, Baiba | |
dc.contributor.editor | Craith, Máiréad Nic | |
dc.date.issued | 2019 | |
dc.date.submitted | 2019-11-12 13:02:27 | |
dc.date.submitted | 2020-04-01T09:30:36Z | |
dc.identifier | 1006293 | |
dc.identifier | OCN: 1135849111 | |
dc.identifier | http://library.oapen.org/handle/20.500.12657/23845 | |
dc.identifier.uri | https://directory.doabooks.org/handle/20.500.12854/33746 | |
dc.description.abstract | Heritage and Festivals in Europe critically investigates the purpose, reach and effects of heritage festivals. Providing a comprehensive and detailed analysis of comparatively selected aspects of intangible cultural heritage, the volume demonstrates how such heritage is mobilised within events that have specific agency, particularly in the production and consumption of intrinsic and instrumental benefits for tourists, local communities and performers. Bringing together experts from a wide range of disciplines, the volume presents case studies from across Europe that consider many different varieties of heritage festivals. Focusing primarily on the popular and institutional practices of heritage making, the book addresses the gap between discourses of heritage at an official level and cultural practice at the local and regional level. Contributors to the volume also study the different factors influencing the sustainable development of tradition as part of intangible cultural heritage at the micro- and meso-levels, and examine underlying structures that are common across different countries. Heritage and Festivals in Europe takes a multidisciplinary approach and as such, should be of interest to scholars and students in the fields of heritage studies, tourism, performing arts, cultural studies and identity studies. Policymakers and practitioners throughout Europe should also find much to interest them within the pages of this volume. | |
dc.language | English | |
dc.rights | open access | |
dc.subject.other | heritage | |
dc.subject.other | festivals | |
dc.subject.other | Europe | |
dc.subject.other | thema EDItEUR::N History and Archaeology::NH History | |
dc.title | Heritage and Festivals in Europe | |
dc.title.alternative | Performing Identities | |
dc.type | book | |
oapen.relation.isPublishedBy | fa69b019-f4ee-4979-8d42-c6b6c476b5f0 | |
oapen.relation.hasChapter | Chapter 13 Commemorating vanished ‘homelands’ | |
oapen.relation.hasChapter | Chapter 11 European Capitals of Culture y | |
oapen.relation.hasChapter | Chapter 10 Performing Scots- European heritage, ‘For A’ That!’ | |
oapen.relation.hasChapter | Chapter 3 Comparative aspects of the Song and Dance Celebration of the Baltic countries in the context of nation- branding processes | |
oapen.relation.hasChapter | Chapter 2 On the relationship between performance and intangible cultural heritage | |
oapen.relation.hasChapter | Chapter 1 Heritages, identities and Europe | |
oapen.relation.isbn | 9780429202964 | |
oapen.imprint | Routledge | |
oapen.pages | 214 | |
oapen.review.comments | Taylor & Francis open access titles are reviewed as a minimum at proposal stage by at least two external peer reviewers and an internal editor (additional reviews may be sought and additional content reviewed as required). | |
peerreview.review.type | Proposal | |
peerreview.anonymity | Single-anonymised | |
peerreview.reviewer.type | Internal editor | |
peerreview.reviewer.type | External peer reviewer | |
peerreview.review.stage | Pre-publication | |
peerreview.open.review | No | |
peerreview.publish.responsibility | Publisher | |
peerreview.id | bc80075c-96cc-4740-a9f3-a234bc2598f1 | |
peerreview.title | Proposal review |
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Chapters in this book
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(2019)The twentieth century has been described (e.g., Piskorski 2015 ) as a century of displacement. While globally the comparative scale of involuntary population movement may not have diff ered signifi cantly from earlier ...
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(2019)‘What is Europe? It’s not just a series of banknotes’, an interviewee remarked when asked about European heritage. Our study of European Capitals of Culture (ECoC), one of the main European heritage programmes, proceeds in ...
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(2019)This chapter focuses on the Scots- speaking community and, in particular, on its use of the Scots language as a means to assert political diff erence in the form of a ‘welcoming, inclusive civic nationalism’ (McFadyen 2018 ).