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dc.contributor.authorZiolkowski, Jan M.
dc.date.accessioned2021-02-10T12:58:18Z
dc.date.issued2018
dc.date.submitted2018-09-11 13:16:44
dc.date.submitted2020-04-01T12:28:57Z
dc.identifier1000471
dc.identifierOCN: 1076785636
dc.identifierhttp://library.oapen.org/handle/20.500.12657/29465
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/32677
dc.description.abstract"This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. The Juggler of Notre Dame and the Medievalizing of Modernity is a rich case study for the reception of the Middle Ages in modernity. Spanning centuries and continents, the medieval period is understood through the lens of its (post)modern reception in Europe and America. Profound connections between the verbal and the visual are illustrated by a rich trove of images, including book illustrations, stained glass, postage stamps, architecture, and Christmas cards. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies."
dc.languageEnglish
dc.relation.ispartofseries61a1d76e-63cc-4bcc-95ac-e21b6374c2a4
dc.relation.ispartofseriesccecd98a-723a-4082-9e27-da4ec1fa528c
dc.relation.ispartofseriesb707c8c4-f9e3-4f28-9273-1fa6db7364d2
dc.relation.ispartofseries62035e27-8ddf-462a-9850-b67b11f46244
dc.relation.ispartofseriese5b5492e-2c4c-4bcb-92f0-61895551edfc
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::A The arts::AC History of art / art & design styles::ACK History of art: Byzantine & Medieval art c 500 CE to c 1400
dc.subject.classificationbic Book Industry Communication::D Literature & literary studies
dc.subject.classificationbic Book Industry Communication::J Society & social sciences::JF Society & culture: general
dc.subject.otherThe Juggler of Notre Dame
dc.subject.otherMiddle Ages
dc.subject.otherreception studies
dc.subject.otherModernity
dc.subject.othermedieval studies
dc.subject.othermedievalism
dc.subject.otherphilology
dc.subject.otherliterary history
dc.subject.otherart history
dc.subject.otherfolklore
dc.subject.otherperformance studies
dc.subject.otherAnatole France
dc.subject.otherFrance
dc.subject.otherGaston Paris
dc.subject.otherParis
dc.titleThe Juggler of Notre Dame and the Medievalizing of Modernity
dc.title.alternativeVolume 2: Medieval Meets Medievalism
dc.typebook
oapen.identifier.doi10.11647/OBP.0143
oapen.relation.isPublishedByb014b543-78bd-4c3b-bc71-b68e2ac855b9
oapen.relation.isbn9781783745067
oapen.collectionScholarLed
oapen.pages354


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