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dc.contributor.authorMuktupāvela, Rūta
dc.contributor.authorLaķe, Anda
dc.date.accessioned2021-02-10T12:58:18Z
dc.date.issued2019
dc.date.submitted2019-11-12 13:03:28
dc.date.submitted2020-04-01T09:30:33Z
dc.identifier1006296
dc.identifierOCN: 1135844968
dc.identifierhttp://library.oapen.org/handle/20.500.12657/23842
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/31805
dc.description.abstractThis chapter focusses on an analysis of the SDC in the context of the development of nation-branding. Two ways of developing international recognition can be outlined: special strategies created by experts and spontaneous, endogenous branding, stemming from traditional cultural symbols important to people. At the beginning of the twenty- fi rst century, the Baltic countries were involved in a purposeful state- fi nanced policy to create their nation brands. During this process, the use of the informal symbol of ‘singing nations’, typical of the Baltic countries, was consciously avoided because of the recommendations of nation- branding professionals. Nevertheless, this symbol, expressed in the form of the SDC, is an important and infl uential agent from the cultural, social, ideological and economic point of view, as well as in contexts of international communication.
dc.languageEnglish
dc.rightsopen access
dc.subject.otherHeritage
dc.subject.othersong
dc.subject.otherdance
dc.subject.otherBaltic countries
dc.subject.otherthema EDItEUR::N History and Archaeology::NH History
dc.titleChapter 3 Comparative aspects of the Song and Dance Celebration of the Baltic countries in the context of nation- branding processes
dc.typechapter
oapen.relation.isPublishedByfa69b019-f4ee-4979-8d42-c6b6c476b5f0
oapen.relation.isPartOfBookHeritage and Festivals in Europe
oapen.relation.isbn9780429202964
oapen.imprintRoutledge
oapen.pages19


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