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dc.contributor.authorSörgel, Sabine
dc.date.accessioned2021-02-10T13:51:08Z
dc.date.available2021-02-10T13:51:08Z
dc.date.issued2007
dc.identifier1007425
dc.identifierhttp://library.oapen.org/handle/20.500.12657/22737
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/31505
dc.description.abstractThis book presents the first in-depth critical and historical examination of the internationally renowned National Dance Theatre Company of Jamaica (NDTC) in the context of postcolonial theatre. Combining a postcolonial theoretical framework with performance studies and dance analysis, the study examines the interrelationship of Jamaican modern dance theatre aesthetics and the Caribbean's complex cultural genealogy since 1492. Addressing issues of postcolonial nationalism and Jamaican identity politics, the book provides the first comprehensive study of the NDTC's modern dance theatre works as it situates dance theatre choreography at the centre of postcolonial independence politics and cultural theory in the Caribbean.
dc.languageEnglish
dc.relation.ispartofseriesTanzScripte
dc.rightsopen access
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATQ Danceen_US
dc.subject.otherTheatre
dc.subject.otherDance
dc.subject.otherCultural Studies
dc.subject.otherPostcolonial Studies
dc.subject.otherPostcolonialism
dc.subject.otherTheatre Studies
dc.titleDancing Postcolonialism
dc.title.alternativeThe National Dance Theatre Company of Jamaica
dc.typebook
oapen.identifier.doi10.14361/9783839406427
oapen.relation.isPublishedBy7e97f9b9-be2b-4d9c-a928-3c8ebdfa443c
oapen.relation.isbn9783899426427
oapen.pages230
oapen.place.publicationBielefeld
dc.dateSubmitted2020-02-11 03:00:27
dc.dateSubmitted2020-04-01T08:49:38Z
dc.seriesnumber6


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Except where otherwise noted, this item's license is described as open access