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dc.contributor.authorCoëgnarts, Maarten
dc.date.issued2019-09-30
dc.date.submitted2019-10-23 23:55
dc.date.submitted2020-03-27 03:00:28
dc.date.submitted2020-04-01T09:58:30Z
dc.identifier1005620
dc.identifierOCN: 1135844896
dc.identifierhttp://library.oapen.org/handle/20.500.12657/24495
dc.description.abstractHow do the visuals of Kubrick’s work convey complex concepts and abstractions without the traditional reliance on words? And how does the pure instrumental music in his films express meaning when music, in essence, is an abstract art form? Drawing on state-of-the-art research in embodied cognitive science, this book sets out to explore these questions by revealing Kubrick as a genuine conceptual artist, a filmmaker who perhaps more than any other director, uses all the non-verbal resources of filmmaking in such a controlled and dense manner as to elicit the bodily structures necessary to achieve a level of conceptual understanding.
dc.languageEnglish
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticism
dc.subject.otherMedia & Communications
dc.subject.otherKubrick
dc.subject.otherFilm
dc.subject.otherFilm theory
dc.subject.othercognitive science
dc.subject.otherfilm music
dc.subject.otherdirectors
dc.titleFilm as Embodied Art
dc.title.alternativeBodily Meaning in the Cinema of Stanley Kubrick
dc.typebook
oapen.relation.isPublishedBy916d7e2c-12bc-4e24-952a-3523fb7b82a0
oapen.relation.isFundedByKnowledge Unlatched
oapen.relation.isFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9
oapen.relation.isbn9781644691137
oapen.collectionKnowledge Unlatched (KU)
oapen.place.publicationBoston, MA
oapen.grant.number102881
oapen.grant.programKU Select 2018: HSS Frontlist Books
dc.number102881
dc.relationisFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9


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open access
Except where otherwise noted, this item's license is described as open access