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dc.contributor.editorGlover, Richard
dc.contributor.editorHarrison, Bryn
dc.date.accessioned2021-02-10T12:58:18Z
dc.date.issued2013
dc.date.submitted2017-01-29 00:00:00
dc.date.submitted2020-04-01T13:52:41Z
dc.identifier622951
dc.identifierOCN: 945782374
dc.identifierhttp://library.oapen.org/handle/20.500.12657/31897
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/29505
dc.description.abstractThis short collection of essays focuses on four areas of immersive sound environments: repetition, sustained tones, performed installations and approaches to extended forms. Through in depth exploration of the experiential nature of these subjects, the authors offer reflections upon the materials used for these environments, how they are organised, and the consequences of this on how we listen.
dc.description.abstractPublished
dc.languageEnglish
dc.rightsopen access
dc.subject.classificationthema EDItEUR::A The Arts::AV Musicen_US
dc.subject.othermusic
dc.subject.otherActive listening
dc.subject.otherAjapa japa
dc.subject.otherHarmonic series (music)
dc.subject.otherMaurice Merleau-Ponty
dc.subject.otherMorton Feldman
dc.subject.otherPhill Niblock
dc.subject.otherSine wave
dc.subject.otherTimbre
dc.titleOvercoming Form: reflections on immersive listening
dc.typebook
oapen.identifier.doi10.5920/of.2013
oapen.relation.isPublishedBy784263b1-8ed7-4d2d-bc9e-a497721833b9
oapen.relation.isbn9781862181205
oapen.pages90
oapen.place.publicationHuddersfield


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open access
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