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dc.contributor.editorEley, Geoff
dc.contributor.editorThomas, Julia Adeney
dc.date.accessioned2021-02-10T13:28:56Z
dc.date.available2021-02-10T13:28:56Z
dc.date.issued2020
dc.identifierhttps://library.oapen.org/handle/20.500.12657/43829
dc.identifier51483*
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/29006
dc.description.abstractVisualizing Fascism explores various ways of tracing, displaying, viewing, and interacting with fascism, examining fascism as both a global and aesthetic phenomenon during the twentieth century. It emphasizes transnational and visual qualities in order to refigure ways of establishing visual languages, articulate commentaries on the dynamic nature of national identity, and form both supportive and challenging attitudes about the global right. In particular, this volume seeks to challenge the notion that fascism is primarily a national product of Italy, Japan, and Germany; rather it seeks to locate the rise of fascism and the global right in transnational networks connected by capitalism and imperialism.
dc.languageEnglish
dc.rightsopen access
dc.subject.classificationbic Book Industry Communication::H Humanities::HB History::HBG General & world history
dc.subject.otherHistory
dc.subject.otherModern
dc.subject.other20th Century
dc.titleVisualizing Fascism
dc.title.alternativeThe Twentieth-Century Rise of the Global Right
dc.typebook
oapen.identifier.doihttps://doi.org/10.1215/9781478004387
oapen.relation.isPublishedBy8b9381d6-252e-4bed-8478-ee620c861aac
oapen.relation.isFundedBy969f21b5-ac00-4517-9de2-44973eec6874
oapen.relation.isbn9781478004387
oapen.collectionKnowledge Unlatched (KU)
oapen.imprintDuke University Press
dc.dateSubmitted2020-12-15T14:01:48Z
dc.number103796
dc.relationisFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9


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Except where otherwise noted, this item's license is described as open access