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    Adorno versus Lyotard

    Moderne und postmoderne Ästhetik

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    https://library.oapen.org/bitstream/20.500.12657/33371/1/496956.pdf
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    https://library.oapen.org/bitstream/20.500.12657/33371/1/496956.pdf
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    https://library.oapen.org/bitstream/20.500.12657/33371/1/496956.pdf
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    https://library.oapen.org/bitstream/20.500.12657/33371/1/496956.pdf
    Author(s)
    Kogler, Susanne
    Collection
    Austrian Science Fund (FWF)
    Language
    German
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    Abstract
    It is well known that Theodor W. Adorno’s aesthetic theory is grounded in his profound musical knowledge. The importance of music for Jean-François Lyotard, however, has not been adequately recognized until today; neither has the fact that Lyotard was strongly influenced by Adorno. Tracing back the development of Lyotard’s thought from his “pagan” beginnings to his late conception of an informal art, the book intends to initiate an adequate reception of Lyotard’s œuvre from a musicological viewpoint. Moreover, as a first comprehensive comparison of Lyotard‘s and Adorno’s theories on art, the study contributes to the exploration of Critical Theory’s reception in France.
     
    Es ist allgemein bekannt, dass Theodor W. Adorno seine ästhetische Theorie auf Basis profunder Musikkenntnisse entwickelte. Dass die Musik auch für Jean-François Lyotard von besonderer Wichtigkeit war und er stark von Adorno beeinflusst wurde, wurde bis heute allerdings kaum entsprechend wahrgenommen. Durch den Vergleich mit der Musikphilosophie Adornos intendiert dieses Buch eine adäquate Rezeption des Werkes von Lyotard aus musikwissenschaftlicher Sicht zu initiieren, wobei es dessen Entwicklung von den "heidnischen" Anfängen bis zur späten Konzeption einer "informellen" Kunst nachzeichnet. Als erster umfassender Vergleich der Ästhetik beider Denker leistet es auch einen Beitrag zur Erforschung der Rezeption der Kritischen Theorie in Frankreich.
     
    URI
    https://directory.doabooks.org/handle/20.500.12854/28169
    Keywords
    Adorno; Lyotard; Aesthetics; Postmodernism; Modernism; Contemporary Music; Adorno; Lyotard; Ästhetik; Postmoderne; Moderne; zeitgenössische Musik; Immanuel Kant; Jean-François Lyotard; München; Philosophie; Theodor W. Adorno; Verlag Herder
    DOI
    10.26530/oapen_496956
    ISBN
    9783495485293
    Publisher
    Verlag Karl Alber
    Publication date and place
    Freiburg, 2014
    Grantor
    • Austrian Science Fund
    Classification
    Music
    Pages
    497
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      This project received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 871069.

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